Thesis (doctoral)--Rheinische Friedrich-Wilhelms-Universität zu Bonn. / Vita. Includes bibliographical references.

Thesis (Ph.D.) -- McMaster University, 2001. / Includes bibliographical references (leaves 319-337). Also available via World Wide Web.

Thesis (Ph.D.) -- University of Adelaide, Dept. of European Studies, 2000. / "Thesis presented June 1998, amended February 2000." Includes bibliography.

"Thesis presented June 1998, amended February 2000." / Includes bibliography. / 3 v. : ill., plans ; 30 cm. / Title page, contents and abstract only. The complete thesis in print form is available from the University Library. / This thesis demonstrates the falsity of the assumptions that ancient architects followed innate spatial cues or responses in their designs, that ancient people experienced the resulting buildings through the same responses, and that modern scholars can thus reconstruct both the intentions of the ancient architects and the architectural effects experienced by ancient visitors to ancient buildings throught the medium of their own spatial reactions. This underlying belief is contestable given its basis in unproven and untested late nineteenth century theories of perception. The thesis also demonstrates that the assumption made by modern scholars that the architects of the Forum of Pompeii were primarily concerned with uniformly enclosed space, axial symmetry, and orthogonality, is wrong, and is contradicted by the actual form of the buildings around the Forum. / Thesis (Ph.D.)--University of Adelaide, Dept. of European Studies, 2000

Thesis (doctoral)--Wesfälischen Wilhelmsuniversität zu Münster, 1990. / Includes bibliographical references.

Thesis (Ph. D.)--University of California, Los Angeles--Art History. / Typescript (photocopy). Vita. Catalogue of the sacral-idyllic paintings: leaves 74-278. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 66-73).

Thesis (Ph. D.)--University of California, Los Angeles--Art History. / Typescript (photocopy). Vita. Catalogue of the sacral-idyllic paintings: leaves 74-278. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 66-73).

Thesis (doctoral)--Wesfälischen Wilhelmsuniversität zu Münster, 1990. / Includes bibliographical references.

"Thesis presented June 1998, amended February 2000." Includes bibliography. V. I: text -- v. IIa: Figures -- v. IIb: Figures. This thesis demonstrates the falsity of the assumptions that ancient architects followed innate spatial cues or responses in their designs, that ancient people experienced the resulting buildings through the same responses, and that modern scholars can thus reconstruct both the intentions of the ancient architects and the architectural effects experienced by ancient visitors to ancient buildings throught the medium of their own spatial reactions. This underlying belief is contestable given its basis in unproven and untested late nineteenth century theories of perception. The thesis also demonstrates that the assumption made by modern scholars that the architects of the Forum of Pompeii were primarily concerned with uniformly enclosed space, axial symmetry, and orthogonality, is wrong, and is contradicted by the actual form of the buildings around the Forum.