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11	Families without clusters in the early works of Sergei Prokofiev / Zimmerman, Daniel J. January 2002 (has links) Thesis (Ph. D.)--University of Chicago, Department of Music, August 2002. / Includes bibliographical references. Also available on the Internet.
12	Human-based percussion and self-similarity detection in electroacoustic music Mills, John Anderson, January 1900 (has links) Thesis (Ph. D.)--University of Texas at Austin, 2008. / Vita. Includes bibliographical references.
13	Developing musicianship in the school rehearsal based on the study and analysis of representative musical forms. DeHoog, Herman William, January 1975 (has links) Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Charles W. Walton. Dissertation Committee: J. Marion Magill. Includes bibliographical references.
14	Following poetic density working with the subjective in my recent music compositions and analytical method / Jamieson, Ian. January 2002 (has links) Thesis (M.A.)--York University, 2002. Graduate Programme in Music. / Typescript. Contains original music compositions. Includes bibliographical references (leaves 87-88). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pMQ82930.
15	Families without clusters in the early works of Sergei Prokofiev / Zimmerman, Daniel J. January 2002 (has links) Thesis (Ph. D.)--University of Chicago, 2002. / Includes bibliographical references. Also available on the Internet.
16	A new repertoire: works for solo violin and tape. Kellogg, Virginia Katherine, January 1975 (has links) Thesis (D.M.A.)--University of Rochester, 1975. / Reproduced from typescript. Four works analyzed: Capriccio, by Henk Badings.- Gargoyles, by Otto Luening.- Music plus one, by Ilhan Mimaroglu.- Quadrants: event/complex number three, by Larry Austin. "Glossary of terms": leaves 90-94. "Works for solo violin and tape": leaves 95-96. Vita. Bibliography: leaves 97-101. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/6294
17	Organicism, motivic parallelism, and performance in Beethoven's piano sonata op. 2 no. 3 : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology / Robb, Hamish James Alexander. January 2008 (has links) Thesis (M.Mus.)--New Zealand School of Music, 2008. / Includes bibliographical references.
18	Bach's "Goldberg Variations": a descriptive study and analysis. Cole, Frances Elaine, January 1966 (has links) Thesis (Ed.D.-̲-Teachers College, Columbia University, 1966. / Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Charles Walton. Includes bibliographical references (leaves 204-206).
19	Compositional design elements and stylistic influences in Benjamin Britten's "A Boy was Born" / Sieck, Stephen Michael. January 1900 (has links) Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 2006. / Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4035. Adviser: Fred Stoltzfus. Includes bibliographical references (leaves 191-193) Available on microfilm from Pro Quest Information and Learning.
20	Form in Paul Simon's music / Stephan-Robinson, Anna. January 2009 (has links) Thesis (Ph. D)--University of Rochester, 2009. / Includes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/11554

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