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An investigation of the foundational components and skills necessary for a successful first-year string class a modified delphi technique study /Schulte, Erika A., January 2004 (has links)
Thesis (Ph. D.)--Ohio State University, 2004. / Title from first page of PDF file. Document formatted into pages; contains viii, 279 p.; also includes graphics (some col.). Includes abstract and vita. Advisor: Robert A. Gillespie, School of Music. Includes bibliographical references (p. 272-279).
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Studies in pitch symmetry in twentieth century musicGaburo, Kenneth. Gaburo, Kenneth. January 1962 (has links)
Thesis--University of Illinois. / The thesis includes a score "Antiphonia for 3 string groups" (37 L.) which was presented separately. Vita. Includes bibliography.
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A portfolio of eleven compositions with an accompanying commentary submitted for the degree of PhD in Music Composition at the University of AberdeenTierney, Paul January 2010 (has links)
This portfolio of eleven scores and an accompanying commentary is an in depth investigation into the use and development of compositional techniques over a wide range of instrumental and vocal combinations. The scores submitted trace my development as a composer by considering research questions related to structural organisation, harmonic and rhythmic development and how external sources, particularly visual and literary, can be used as a starting point for the compositional process. Included in the portfolio are eleven works, categorised into three sections: instrumental music, solo works, and vocal music. The portfolio researches and examines elements of composition such as harmony, texture and timbral relationships, as well as the use of visual and literary art as a stimulus for composition across all of the instrumental and vocal combinations included. My interest in the combination of pre-existing compositional methods such as serialism, with particular regards to pitch, and atonality is also examined in many of the scores and documented in the accompanying commentary.
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Compostion research folioDocherty, Claire. Docherty, Claire. Docherty, Claire. January 2009 (has links)
Thesis (MMus.) - University of Glasgow, 2008. / MMus. thesis submitted to the Faculty of Arts, Department of Music, Univeristy of Glasgow 2008. Includes bibliographical references. Print version also available.
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A portfolio of compositions presented for the degree of PhD in music composition at the University of AberdeenWillson, Simon January 2009 (has links)
This portfolio presents seven compositions composed for different instrumental and vocal forces, accompanied by a commentary and recordings of some of these works. Across the seven pieces there has been a concern with building longer-term structures; establishing a stronger developmental style; and with moving towards a more systematised approach to harmony as a way of creating a harmonic language that can underpin development more efficiently. Several of the works show a direct engagement with the issue of form, which is approached from the perspective of Classical models, the listener’s perception and in the context of a highly chromatic harmonic language. In contrast, two works (<i>Aubade</i> and <i>So Turn Your Heart</i>) engage more directly with diatonic models of harmony. The dominant concern across all the works presented has been the desire to create developmental, direct music in which the notion of transformation, rather than stasis and ritual, are of paramount importance. From a melodic, harmonic and structural point of view each work represents different ways in which this has been attempted. The commentary that accompanies the works explores many of these ideas in more detail as well as setting out the origins and development of each composition. There is also an explanation as to how the initial material was decided upon and utilised during the compositional process. The commentary then concludes with a summary of what has been achieved over the course of the programme and where this might lead in the future.
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Through the prism of the wellspring : from national, to societal, to individual in Marin Goleminov's string quartets /Flesner, Diana Jeanne. January 2009 (has links)
Thesis (A.Mus.D.)--University of Illinois at Urbana-Champaign, 2009. / Source: Dissertation Abstracts International, Volume: 70-06, Section: A. Adviser: Donna A. Buchanan. Includes bibliographical references (leaves 137-144) Available on microfilm from Pro Quest Information and Learning.
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A comparative study of two modes of practice used with junior high school string orchestras and the role of selected individual difference variablesLyle, Douglas, January 1972 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Celestial DreamsKnudson, Gary 08 1900 (has links)
Celestial Dreams is a three-movement work for chamber ensemble. This piece employs algorithmic processes (coded in BASIC and Pascal) that generate poetic text and convert it to musical pitches. The three movements contain coherent structures that allow for the complete integration of all ensemble members into the texture and for the flexibility to have one ensemble member emerge as the musical foreground. The chamber ensemble includes strings, tape, slides, and a narrator, who recites the poetic text which forms the foundation of the piece.
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Folio of compositions 2008-2009 /McIntyre, Scott. January 2009 (has links)
Thesis (MMus)(Comp)--University of Melbourne, Faculty of the Victorian College of the Arts and Music, 2010. / Typescript.
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Exploration in new music : portfolio of compositions and analysis /Mui, Kwong-chiu. Tan, Dun, Mui, Kwong-chiu. Mui, Kwong-chiu. Mui, Kwong-chiu. Mui, Kwong-chiu. January 2000 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2001. / Two sets of recordings included, each in its own container. The first work is for string quartet; the second for bangdi, soprano sheng, yangqin, pipa, guzheng, erhu, gehu and percussion; the third for harmonica quintet, sheng, harp, piano and percussion. "Symphonic poem-Genesis" is for orchestra with piano and celesta. "Ghost opera" is for string quartet and pipa, with water, stones, paper and metal. Includes bibliographical references.
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