Global ETD Search

1	"Come in and hear the truth" : jazz, race, and authenticity on Manhattan's 52nd Street, 1930-1950 / Burke, Patrick Lawrence. January 1900 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 2003. / Includes bibliographical references (p. 336-351). Also available on the Internet. Jazz Nightclubs Music and race.
2	The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility Fernandes, Denise January 2002 (has links) This thesis examines and analyzes the controversy around white rapper Eminem to inspect the way in which black and white theories of belonging function within an American context. The assumption behind the racial dichotomy that defines whites and blacks in oppositional positive and negative terms presumes that identity is structured along race stereotypes. This belief is evident in the differing responses to Eminem's affiliation with hip-hop culture and through the extent in which he employs hip-hop cultural forms, styles, and traits into his rap image. Although a popular mainstream artist, Eminem (and his "thug" Slim Shady alter ego) maintains his credibility within hip-hop circles by using elements of parody, play, and persona to depict his satirical views of American life. Finally, the systematic attacks against Eminem that label him as deviant are rarely levelled against other black rappers, exposing the different societal expectations that exist for whites and blacks. Hip-hop Music and race
3	"Come in and hear the truth" jazz, race, and authenticity on Manhattan's 52nd Street, 1930-1950 / Burke, Patrick Lawrence. January 1900 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 2003. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 336-351). Jazz Nightclubs Music and race.
4	The new "role model" for the hip-hop generation : dissecting the hype to locate Eminem, Slim Shady, and Marshall Mathers through race relations, black cool, media coverage, and the search for hip-hop credibility Fernandes, Denise January 2002 (has links) No description available. Hip-hop Music and race
5	Possessed: White Appropriations of Black Music in New Orleans: January 2020 (has links) archives@tulane.edu / 1 / David Cheney New Orleans Music, Appropriation, Race
6	Relationship of musical aptitude to family and student activity in music, student interest in music, socioeconomic status, and intelligence among Caucasian and Negro middle school students / Wermuth, Robert Fred January 1971 (has links) No description available. Music Music and race Musical ability
7	Black, white and blue racial politics of blues music in the 1960s / Adelt, Ulrich. January 2007 (has links) Thesis (Ph. D.)--University of Iowa, 2007. / Thesis supervisor: Jane Desmond. Includes bibliographical references (leaves 206-224).
8	The identification of musical concepts by elementary children from contrasting racial groups and socioeconomic environments / Walls, Clarence January 1973 (has links) No description available. Education Music appreciation Music and race Music
9	Music, dance, and family ties : Ghanaian and Senegalese immigrants in Los Angeles / Canon, Sherri Dawn, Erlmann, Veit. January 2005 (has links) Thesis (Ph. D.)--University of Texas at Austin, 2005. / Supervisor: Veit Erlmann. Vita. Includes bibliographical references.
10	Some liked it hot : the jazz canon and the all-girl bands in times of war and peace, ca. 1928-1955 / McGee, Kristin. January 2003 (has links) Thesis (Ph. D.)--University of Chicago, Dept. of Music, Dec. 2003. / Includes bibliographical references. Also available on the Internet.

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