Global ETD Search

1	The xYz Quintet: A Case Study in Arts Presentation Strategies Johnston, Justin Daniel 29 December 2014 (has links) No description available. Music xYz arts presentation music entrepreneurship arts entrepreneurship woodwind quintet
2	Equal Opportunity: Female Experiences in Music Entrepreneurship Education Sadler, Katherine Marie January 2021 (has links) Institutions of higher education in the field of music are developing music entrepreneurship courses, certificate programs, and majors in greater numbers than ever before. Researchers have begun to assess the types of skills relevant to this field and educators are creating curricula to reflect this consensus. Few researchers have yet undertaken an investigation of how this education is experienced by students themselves. This study uses interviews from a number of administrators and students, as well as observations of courses and an assessment of the numbers of men and women within the field of music entrepreneurship, to examine the experience of women students in particular. Data were collected from participants from three institutions of higher music education in the United States over the course of 1.5 years. The data are interpreted to reflect emergent themes, which demonstrate the extent to which women experience bias and empowerment in the field of music and music entrepreneurship. Music--Instruction and study Music entrepreneurship Women college students Women--Social conditions
3	Examining the "Portfolio Careers" of Classical Musician Entrepreneurs through the Lens of Seven Clarinetists Guzmán, Jen (Jennifer) 05 1900 (has links) Many classically-trained clarinetists do not know how to use their performance skills and life experiences to create financially sustainable and artistically fulfilling musical opportunities. Music careers have traditionally included teaching positions in academia and performance positions in professional ensembles. Because of the limited number of jobs in these two areas, clarinetists, and classical musicians in general, often turn to work that provides financial security but may lack artistic fulfillment. The proposed solution to this situation is for musicians to create "portfolio careers," which is defined in this document as a combination of multiple part-time jobs to create full-time work. The purpose of this document was to examine best practices in creating and sustaining a portfolio career through the specific lens of seven clarinetists who have shown themselves to be successful performers and entrepreneurs. Results showed that the best practices include: 1) turn ideas into actions, even if the idea is still in the prototype stage, 2) build and utilize a network of successful and supportive people, 3) say "yes" to opportunities, and 4) find creative work outside the field of music that inspires music-related work. Professional clarinetists Music business Music entrepreneurship Portfolio careers Music -- Vocational guidance. Clarinetists. -- Employment. Academic theses
4	Understanding Career & Degree Expectations of Undergraduate Music Majors Munnelly, Karen Patricia 16 June 2017 (has links) No description available. Arts Management Music Music Education Performing Arts portfolio careers music music entrepreneurship career management notions of success in music career expectations degree expectations
5	Early Music Audiences: A Survey and Analysis of Early Music Consumers in Texas Emanski, Julianna 08 1900 (has links) Texas has a rich tradition of Early Music ensembles that dates back to 1969. However, there is little reliable information based on statistical data collection and analysis concerning Texas Early Music consumers. Little is known about why they attend Early Music performances or other important factors that affect the Early Music industry. Through the use of an extensive survey and accompanying statistical analysis, this study answers many questions regarding Early Music consumers in the State of Texas. This study collected demographic and psychographic data in January 2020 about the Early Music concert-going public in three major Texas cities - Dallas, Austin, and Houston. Other factors were identified in two primary areas: audience characteristics and ticket pricing practices. early music Baroque music audience music consumer marketing survey statistical analysis non-profit organization concert demographics psychographics ticket price Texas Music audiences -- Texas. Early-music groups. Music entrepreneurship. Academic theses

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