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ThanatosViator, Landon 21 December 2017 (has links)
<p>Viator, Landon Bachelor of Music, University of Louisiana at Lafayette, Fall 2015; Master of Music, University of Louisiana at Lafayette, Spring 2017
Major: Music
Title of Thesis: Thanatos
Thesis Director: Dr. Quincy Hilliard
Pages in Thesis: 68; Words in Abstract: 94
Abstract
The purpose of this thesis is to provide a theoretical analysis of my composition as well as demonstrate the techniques used to compose and compile electroacoustic music in the digital realm using a DAW software. I have demonstrated how to use MIDI instruments to compose music, how equalization was used to digitally change the timbre of the guitar and drums, how compression was used to control the dynamic range of the drums and add fullness to their sound, and I have demonstrated how to create MIDI notes to be played by the software instruments.
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Die Musica poetica des Magisters Heinrich FaberStroux, Christoph. January 1976 (has links)
Thesis--Albert Ludwig Universität, Freiburg im Breisgau. / Vita. eContent provider-neutral record in process. Description based on print version record. "Literaturverzeichnis": p. 201-213.
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Contour modeling by multiple linear regression of the nineteen piano sonatas by MozartBeard, R. Daniel. Clendinning, Jane Piper. January 2003 (has links)
Thesis (Ph.D.) -- Florida State University, 2003. / Advisor: Dr. Jane Piper Clendinning, Florida State University, School of Music. Title and description from dissertation home page (viewed Mar. 10, 2004) Document formatted into pages; contains 251 pages. Includes biographical sketch. Includes bibliographical references.
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Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen mit zahlreichen Notenbeispielen /Bukofzer, Manfred F., January 1936 (has links)
Issued also as inaugural dissertation, Basel. / "Notenbeispiele": 20 p. at end. "Literaturverzeichnis": p. 161-163.
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Die Musica poetica des Magisters Heinrich FaberStroux, Christoph. January 1976 (has links)
Thesis--Albert Ludwig Universität, Freiburg im Breisgau. / Vita. "Literaturverzeichnis": p. 201-213. Also issued in print.
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Das Verhältnis Musik-Mathematik bei Johannes Kepler ein Beitrag zur Musiktheorie des frühen 17. Jahrhunderts.Atteln, Horst, January 1900 (has links)
Inaug.-Diss.--Erlangen-Nürnberg. / Vita. Bibliography: p. 127.
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Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen mit zahlreichen Notenbeispielen /Bukofzer, Manfred F., January 1936 (has links)
Issued also as inaugural dissertation, Basel. / "Notenbeispiele": 20 p. at end. "Literaturverzeichnis": p. 161-163.
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Stimmigkeit und Gliederung in der Polyphonie des Mittelalters ...Breidert, Fritz, January 1935 (has links)
Inaug.-Diss.--Leipzig. / Vita. "Quellennachweis für die Notenbeispiele": p. 126-129. "Literaturverzeichnis": p. 124-125.
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Die Tonartenlehre des römischen Theoretikers u. Komponisten Pier Francesco ValentiniKunz, Lucas, January 1937 (has links)
Issued also as inaugural dissertation, Münster. / "Benutzte Quellen und Arbeiten": p. vii-x. "Verzeichnis der Kompositionen [Valentinis]": p. 15-20. "Verzeichnis der musiktheoretischen Schriften": p. 20-24. "Schriften nicht musikalischen Inhalts": p. 24.
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Pietro Cerone's El melopeo y maestro a synthesis of sixteenth-century musical theory /Garcia, Francisco, January 1978 (has links)
Thesis--Northwestern University. / Includes bibliographical references (leaves 342-352).
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