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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Rock music as cultural translation: a case study of Hong Kong rock music video

Yiu, Yan-ling., 饒欣凌. January 2000 (has links)
published_or_final_version / abstract / Literary and Cultural Studies / Master / Master of Arts
2

(Re) construction and (re) definition of national identity in the postcolonial era: the changing musical and visual presentation of patriotic indoctrination in Hong Kong media after the handover in 1997. / Reconstruction and redefinition of national identity in the postcolonial era / 香港後殖民時代國民身份的建構: 轉變中的國民教育影音訊息 / Xianggang hou zhi min shi dai guo min shen fen de jian gou: Zhuan bian zhong de guo min jiao yu ying yin xun xi

January 2009 (has links)
Chan, Mun Tak Ada. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 65-69). / In English with some Chinese characters; abstract also in Chinese. / Abstract --- p.i / Abstract (Chinese) --- p.iii / Acknowledgements --- p.iv / Table of Contents --- p.V / List of Figures and Tables --- p.vii / Chapter Chapter One --- Introduction --- p.1 / Geographical Location and Political Status of Hong Kong --- p.3 / Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 / Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 / Defining Post-colonialism --- p.10 / A Brief History of Hong Kong --- p.12 / National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 / Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 / Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 / “Vocabulary´ح and Its Post-colonial Interpretation --- p.24 / “Structure´ح and Its Post-colonial Interpretation --- p.25 / Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 / Conceptualizing the Ideas of Ethnicity --- p.30 / Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 / Interrelationship between the Musical Interpretation and the People featured --- p.34 / Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 / Conclusion --- p.44 / Chapter Chapter Four --- Conclusion --- p.48 / Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 / Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 / Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 / The Historical Significance of Our Home Our Country --- p.52 / Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 / Appendix II Musical Aspects of the National Anthem Video Clips Our Home Our Country --- p.55 / Appendix III Prologues (and Epilogues) of Our Home Our Country --- p.56 / Bibliography --- p.65

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