published_or_final_version / Sociology / Master / Master of Philosophy

published_or_final_version / abstract / toc / Sociology / Master / Master of Philosophy

published_or_final_version / Music / Master / Master of Philosophy

Lung Man Wai. / Thesis submitted in: December 2005. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2006. / Includes bibliographical references. / Abstracts in English and Chinese. / Abstract --- p.ii / Acknowledgements --- p.v / "Figures, Tables, and Examples" --- p.viii / Romanization --- p.ix / Abbreviations --- p.x / Chapter Chapter I --- Introduction --- p.1 / Chapter a. --- Related Studies --- p.10 / Chapter b. --- The Model --- p.17 / Chapter c. --- Methodology --- p.19 / Chapter d. --- Chapter Summary for the Thesis --- p.20 / Chapter Chapter II --- "Musicians, Service Seekers and Agents" --- p.23 / Chapter a. --- Training Backgrounds of Musicians --- p.25 / Chapter b. --- "The Network of Musicians and the ""Key Musicians""" --- p.33 / Chapter c. --- Discipline --- p.39 / Chapter d. --- Summary: How Can Musicians Obtain More Gaidong Performing Opportunities? --- p.45 / Chapter e. --- "Money vs. Dignity, Professional Ethics, and Competitions" --- p.46 / Chapter f. --- Service Seekers and Agents --- p.49 / Chapter Chapter III --- The Music of Gaidong --- p.56 / Chapter a. --- Repertoire --- p.57 / Chapter b. --- "Collections of Pieces - The Gaidong ""Fake Books""" --- p.67 / Chapter c. --- Choices of Music --- p.78 / Chapter d. --- Combinations of Instruments --- p.89 / Chapter e. --- Performance Practice and Improvisation --- p.92 / Chapter Chapter IV --- "Venue, Occasion and Audience" --- p.105 / Chapter a. --- Venue: Outdoors vs. Indoors --- p.107 / Chapter b. --- Occasion: Center of Attention vs. Background Music --- p.109 / Chapter c. --- The Role of the Host --- p.111 / Chapter d. --- The Audiences --- p.115 / Chapter e. --- Requests for Songs by Audience Members --- p.117 / Chapter Chapter V --- Influence from the Environment -Two Case Studies and the Impact of the Twelve Girls Band --- p.124 / Chapter a. --- "Case Study One: Chinese New Year Celebration at Hong Kong International Airport,2004" --- p.125 / Chapter b. --- Case Study Two: The Standard Chartered Bank Board Visit Staff Dinner --- p.129 / Chapter c. --- Other Examples of Gaidong Affected by the Twelve Girls Band --- p.139 / Chapter d. --- The Twelve Girls Band --- p.144 / Chapter e. --- Other Environmental Factors --- p.149 / Chapter Chapter VI --- The Model: The Ecology of Gaidong --- p.155 / Chapter a. --- Mutualism and Competition --- p.160 / Chapter b. --- The Extended Model --- p.161 / Chapter Chapter VII --- Conclusion --- p.164 / Appendix 1 List of Gaidong Performances in which the Author Participated --- p.170 / Appendix 2 Contents of the Gaidong Po --- p.175 / Appendix 3 Contents of the Blue Score --- p.181 / Appendix 4 Contents of the MLCO Gaidong Score Album --- p.183 / Appendix 5 Music Pieces Used in Gaidong: The Combination of Contents of Three Gaidong Scores --- p.184 / Appendix 6 Selected Scores from the MLCO Gaidong Score Album --- p.192 / Appendix 7 Agenda for Standard Chartered Bank Staff Dinner gaidong (Case Study2) --- p.196 / Appendix 8 Selected Scores Used in the Standard Chartered Bank Staff Dinner gaidong (Case Study2) --- p.198 / Appendix 9 A Copy of the Audience Members' Handwritten Requests for Gaidong No.84 --- p.200 / Character List and Glossary --- p.201 / References Cited --- p.205 / Websites --- p.210 / Supplementary Materials: / Chapter a. --- The Blue Book Scores / Chapter b. --- The Gaidong po Scores

Cheng, Kam Lam Canny. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (leaves 135-144). / Abstracts in English and Chinese. / Abstract --- p.i / Acknowledgements --- p.iii / List of Abbreviations --- p.vi / List of Figures --- p.vii / List of Examples --- p.x / List of Tables --- p.x / Maps --- p.xi / Chapter Chapter One: --- Introduction Overview --- p.1 / Filipino Migration / The Filipinos as Diaspora / Theoretical Framework and Literature Review / Methodology / Where is the Field? / Language / Terminology and Stereotypes: Names Used for Filipino/as in Hong Kong / "Social Status, Social Relationships, and Time and Space Constriants" / Overview of the Thesis and Objectives of the Study / Chapter Chapter Two: --- "The Population, Employment and Soundscape of Filipino and Filipina Domestic Helpers in Hong Kong" --- p.31 / Immigration and Employment / Musicality of the Filipinos / The Role of Filipinos in Hong Kong's Musical Scene / "The Soundscape of Hong Kong, a Graphic Illustration" / Chapter Chapter Three: --- Sacred Contexts --- p.42 / "Detailed ""Sacred"" in this Thesis" / The Hong Kong Catholic Diocese and Music of the Chinese Masses / Clerical Support for the Filipino Catholic Community in Hong Kong / Profiles of Five Churches / Detailed Case Study of Two Churches / Selected Examples from Other Hong Kong Church Choirs / "Justification of ""Filipinoness""" / The Impact of Filipino Religious on the Musical Practice of Hong Kong Chinese Parishes / The Impact of Filipino Popular Music on Hong Kong Filipinos' Sacred Music / A Side Trip to the Philippines / Chapter Chapter Four: --- Secular Contexts --- p.83 / Marking Their Piece of Territory / Chater Road: Chater Square and Statue Square / Kantaka (Singing Contests) / Concert in the Park / Culture in Motion / Cultural Initiatives by the Philippine Consulate in Hong Kong / Asia Gathering / Catholic Prayer Gathering / Radio Broadcasts / Buying Recordings / Karaoke / The Hong Kong Musicians Union / Commercial Sponsors for Filipino Musical Activities / The Cordillera Men's Club / Chapter Chapter Five: --- Musical Involvement of the Filipions in Hong Kong during the Anti-World Trade Organization Campaign --- p.115 / Singing of the Filipinos / Chapter Chapter Six: --- Epilogue --- p.127 / Bibliography --- p.135

by Law Bing Kuen Anthony. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2002. / Includes bibliographical references (leaves 100-105). / Discography: p. 107. / Abstracts in English and Chinese. / List of Tables --- p.iii / Abbreviations --- p.iv / Introduction --- p.1 / Concepts --- p.5 / Previous Studies on Xianshiyue --- p.6 / Fieldwork --- p.10 / PART ONE: CULTURAL AND SOCIAL BACKGROUND --- p.19 / Chapter Chapter One: --- Hong Kong --- p.20 / The Rise of Modern Hong Kong: Hong Kong in the Nineteenth Century --- p.21 / Formation of Norms and Values --- p.27 / Chapter Chapter Two: --- The Chaozhou Community of Hong Kong --- p.30 / The Name --- p.30 / The Area --- p.31 / The People and Culture --- p.32 / Migration of Chaozhou People to Hong Kong --- p.35 / Social Organization of the Chaozhou Community --- p.41 / The Chiu Chow Merchants Mutual Assistance Society --- p.43 / PART TWO: XIANSHIYUE --- p.48 / Chapter Chapter Three: --- Xianshiyue in Hong Kong --- p.49 / "The Music Division of the Hong Kong Chiu Chow Merchants Mutual Assistance Society (the ""MD"")" --- p.51 / From Waijiang Traditions to Chaozhou Traditions --- p.56 / Performances in the Music Club Context --- p.61 / Performances in the Concert Hall Context --- p.72 / Performances in the Chaoju Context --- p.76 / Performances in the Gatherings of the Parent Organization --- p.80 / Summary of the Performance Contexts of Xianshiyue in Hong Kong --- p.82 / Chapter Chapter Four: --- The Music of Xianshiyue --- p.84 / Setting Up the Temperament --- p.86 / Tuning Process as Social Process --- p.90 / Conclusion --- p.93 / Glossary of Chinese Characters --- p.96 / Bibliography --- p.100 / Appendix A: An Inquiry on the Place of Origin of Hong Kong Chinese People --- p.109 / Appendix B: Newspaper cutting Showing Ethnic Stereotypes --- p.110