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Emerging Light: for wind ensembleMaloy, Kristopher 28 August 2008 (has links)
Not available / text
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Emerging Light : for wind ensembleMaloy, Kristopher 09 August 2011 (has links)
Not available / text
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Horizon : for wind ensemble : creating narrative in post-serial tonalityHarchanko, Joseph, 1971- 18 August 2011 (has links)
Not available / text
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Tonality in the first book of Debussy's preludesStern, Jennifer Carol. January 1978 (has links)
This paper attempts to explore the extent to which Rudolph Reti's concepts of melodic and harmonic tonality are useful in describing Debussy's Preludes. It is hoped that this work will provide a basis for the examination and comparison of various other musical compositions, representative of different styles, in terms of tonality. / Thesis (M.Mus)-University of Natal, Durban, 1978.
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Fast, accurate pitch detection tools for music analysisMcLeod, Philip, n/a January 2009 (has links)
Precise pitch is important to musicians. We created algorithms for real-time pitch detection that generalise well over a range of single �voiced� musical instruments. A high pitch detection accuracy is achieved whilst maintaining a fast response using a special normalisation of the autocorrelation (SNAC) function and its windowed version, WSNAC. Incremental versions of these functions provide pitch values updated at every input sample. A robust octave detection is achieved through a modified cepstrum, utilising properties of human pitch perception and putting the pitch of the current frame within the context of its full note duration. The algorithms have been tested thoroughly both with synthetic waveforms and sounds from real instruments. A method for detecting note changes using only pitch is also presented.
Furthermore, we describe a real-time method to determine vibrato parameters - higher level information of pitch variations, including the envelopes of vibrato speed, height, phase and centre offset. Some novel ways of visualising the pitch and vibrato information are presented.
Our project �Tartini� provides music students, teachers, performers and researchers with new visual tools to help them learn their art, refine their technique and advance their fields.
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Beyond the fifth measure : a grundgestalt oriented analysis of the first movement of Beethoven's Concerto op. 58 /Terricciano, Alan Lage. January 1986 (has links)
Thesis (M.A.)--University of Rochester, 1986. / Typescript (Photocopy). Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/1522
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A guide to musical analysis.Levy, Edward Irving, January 1967 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1967. / Typescript; issued also on microfilm. Dissertation Committee: Charles W. Walton, Gladys Tipton, . Includes bibliographical references (leaves 425-429).
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The significance of musical understanding in music education.Tait, M. J. January 1963 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1963. / Typescript; issued also on microfilm. Sponsor: Gladys G. Tipton. Dissertation Committee: A. Harry Passow. Includes bibliographical references.
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An exploratory study in music perception /Bar-Droma, Zehora, January 1975 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University, 1975. / Typescript; issued also on microfilm. Includes tables. Sponsor: Philip H. Phenix. Dissertation Committee: Elizabeth P. Hagen. Includes bibliographical references (leaves 82-85).
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Grondslagen voor de analytische vormleer der muziekDaniskas, John, January 1900 (has links)
Thesis (Ph. D.)--Utrecht. / Bibliography: p. 159-164.
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