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A study in improving the interpretation of selected arias from standard operas.Walker, Pearl White. January 1961 (has links)
Thesis (Ed. D.)--Teachers College, Columbia University. / Typescript. Sponsor: Harry R. Wilson. Dissertation Committee: Phil C. Lange. Type C project. Includes bibliographical references (leaves [347]-350).
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Developing musicianship in the school rehearsal based on the study and analysis of representative musical forms.DeHoog, Herman William, January 1975 (has links)
Thesis (Ed.D.)--Teachers College, Columbia University. / Typescript; issued also on microfilm. Sponsor: Charles W. Walton. Dissertation Committee: J. Marion Magill. Includes bibliographical references.
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Families without clusters in the early works of Sergei Prokofiev /Zimmerman, Daniel J. January 2002 (has links)
Thesis (Ph. D.)--University of Chicago, 2002. / Includes bibliographical references. Also available on the Internet.
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The dynamic contextual nexus and the composition of self : Franz Liszt's Trois odes funèbres : a case study in intertextuality /Plylar, David. January 2008 (has links)
Thesis (Ph. D)--University of Rochester, 2008. / Includes abstract and vita. Accompanies: Reliquary : for piano and orchestra / by David Plylar. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/7670
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An explication of some recent mathematical approaches to music analysisLord, Charles Hubbard. January 1978 (has links)
Thesis (Ph. D.)--Indiana University, 1978. / Typescript. Vita. Includes bibliographical references (leaves 257-261).
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Schoenberg's Grundgestalt and total serialism their relevance to homophonic analysis /Epstein, David. January 1900 (has links)
Thesis (Ph. D.)--Princeton University, 1968. / Typescript. Vol. 2: Musical examples. "Volumes 3-4, 'String Trio and Sonority-Variations for Orchestra' not microfilmed at request of author. Available for consultation at Princeton University Library." Includes bibliographical references (v. 1, leaves 102-104).
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Organicism, motivic parallelism, and performance in Beethoven's piano sonata op. 2 no. 3 : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in Musicology /Robb, Hamish James Alexander. January 2008 (has links)
Thesis (M.Mus.)--New Zealand School of Music, 2008. / Includes bibliographical references.
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A system for the generation of tonal music based on transformations /Myers, Karl J. January 1988 (has links)
Thesis (M.S.)--Rochester Institute of Technology, 1988. / Typescript. Includes bibliographical references (leaves 49-50).
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Bach's "Goldberg Variations": a descriptive study and analysis.Cole, Frances Elaine, January 1966 (has links)
Thesis (Ed.D.-̲-Teachers College, Columbia University, 1966. / Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Charles Walton. Includes bibliographical references (leaves 204-206).
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An examination of some set-theoretic applications in the analysis of non-serial musicWittlich, Gary E., January 1969 (has links)
Thesis (Ph. D.)--University of Iowa, 1969. / Vita. Includes analyses of selected works by Bartok, Schönberg, Webern, and Scriabin. Photocopy of typescript. Ann Arbor, Mich. : University Microfilms International, 1981. -- 21 cm. Includes bibliographical references (leaves 141-143).
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