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Reger-Rezeption in der SlowakeiLengová, Jana 03 December 2018 (has links)
Die Musik Max Regers verbreitete sich in der Slowakei über verschiedene
Kommunikationskanäle. Es ist interessant, die Umstände und Faktoren zu
beobachten, die an diesem Prozess beteiligt waren. Eine nicht zu leugnende
Tatsache auch ist, dass einige einheimische Musiker an der Reger-Rezeption
einen maßgebenden Anteil hatten.
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Abstract: Franz Lehár – kapelnik carske i kraljevske mornarice u Puli (1894.−1896.)Duraković, Lada, Kokanović Marković, Marijana 17 November 2022 (has links)
No description available.
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Rudolf Niedermayer – Musikakteur zwischen Zeiten und WeltenBeck, Margret 15 January 2024 (has links)
No description available.
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The Supraśl Canticles in the Context of Cultural and Artistic Life of the Kyiv Metropolia of XVII-XVIII CenturiesDubrovnyi, Taras, Syrotynska, Natalia 17 January 2024 (has links)
No description available.
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Ideologischer Streit um Kurt Weill?: Kritische Blicke auf den Arbeitsbund Brecht–WeillHennenberg, Fritz 17 January 2024 (has links)
No description available.
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Grażyna Bacewiczs Streichquartette. Form und Klang an der Grenze zwischen zwei WeltenMeny, Viola 17 January 2024 (has links)
No description available.
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Titurel ‒ eine vergessene Rolle. Herman Horner (1892‒1942) ‒ herausragender Bass-Bariton aus RzeszówNidecka, Ewa 17 January 2024 (has links)
No description available.
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Die Konzerte von Franz Liszt in den Universitätsstädten Königsberg (1842) und Breslau (1843)Niemöller, Klaus Wolfgang 17 January 2024 (has links)
No description available.
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Aus der Tätigkeit des Kreises der Musikfreunde (Musikverein) in Tarnów in den Jahren 1869‒1914Pachowicz, Anna 17 January 2024 (has links)
No description available.
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Der idealisierte Frédéric ChopinRidder, Paul 17 January 2024 (has links)
When Frédéric Chopin, starting his international career, visited the music festival at Aachen in
1834, he was portraited by Jan Willem Pieneman (1779‒1853), Royal painter, director of the Rijksmuseum, Amsterdam and chief of the Academy of Art (J. W. Pieneman, Portrait F. Chopin, age 24,
oil/ wood, 22 x 27 cm, sign., officially sigell. by town of Amsterdam). The young man got the chance
to present himself with some of his own works. The reaction was enthusiastic. The new portrait also
won the sympathies of the public, since it was understanding of the curious situation of the young
aspirant full of hope. At this time an objective picture was still possible, since the ideal picture of F.
Chopin was just in the beginning of his career. The idealization which comes near to the romantic
stereotype of genius in disease is shown in detail.
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