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Myth and alchemy in creative writing: an exegesis accompanying the novel: ' Children of the Earth 'Walton, Gwenneth January 2006 (has links)
The novel Children Of The Earth is about transformation. It uses Ovid's Metamorphoses as a metaphor for the processes which occur in the psyche of each character, and is based on Jungian insights into myth and alchemy. Archetypes that underlie the unconscious processes of all humanity are seen in the symbolism of three very different religious traditions, namely Greek mythology, the Hebrew Old Testament and Australian Aboriginal beliefs. I explore the ways in which these three great mythologies might have converged in colonial South Australia. The story deals with the troubled marriage of isolated settler couple, Hestia and Adam George, and the effects on it of three people who come into their lives. Itinerant German mineralogist Johannes Menge ( based on a real life pioneer ) is a self-taught, eccentric polymath, and a devout but unorthodox exponent of the Bible. In Jungian terms he fulfils the role of an archetypal, but flawed, ' Wise Old Man'. Menge represents nineteenth century Protestantism, albeit still trailing some arcane superstitions. His protégé, a disgraced young teacher of classics, calls himself Hermes, and represents the role of Greek mythology in European civilization. Reliving the life of the mercurial god in the antipodes, he becomes messenger, trickster and seducer. Unatildi, an Indigenous girl whom Adam finds in a burnt-out tree trunk, is an archetypal maiden. She introduces the Europeans to the mythology of their new land, as sacred for her people as the Bible is for Johannes Menge. Each of these three characters plays a part in transforming the marriage of Adam and Hestia, and each, in turn, undergoes a personal metamorphosis. Aboriginal women act as midwives at the birth of the love-child of Hestia and Hermes. Named Sophia, after the goddess of wisdom, the new child is thought to have inherited the miwi spirit of Unatildi's lost infant. On his deathbed, as Menge bequeaths his wisdom to his Australian friends, he predicts that Sophia will understand the sacredness of all spiritual life. Eventually Hestia and Adam find themselves changed by their encounters with the archetypes of myth. News of Menge's death on the goldfields gives them the courage they need to begin rebuilding an honest relationship. The novel is 107,400 words in length and is accompanied by an exegesis of 20,170 word, entitled Myth And Alchemy In Creative Writing. The exegesis describes the interactive process of researching and writing, as well as exploring the value of Jungian concepts for creative writing, and current issues of creating Indigenous characters. There is an emphasis on the Jungian approach to mythology and alchemy. / Thesis (Ph.D.)--School of Humanities, 2006.
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Boundaries of the soul : the mythic imagination, place and shamanic consciousness in literary formHartley, William, University of Western Sydney, College of Arts January 2008 (has links)
In the Western cultural tradition there is a particular aspect of consciousness discernable in certain fictive literature; mythopoeic literary consciousness (MLC), the evolution of which may be traced back to its earliest manifestation in the cave paintings of the Upper Palaeolithic period in Europe. Researchers agree that those cave paintings are indicative of shamanic activity, which suggests an interesting relationship between shamanic consciousness and MLC. This research investigates contemporary experiences of this relationship in the context of place and the Imaginal Realm using a combination of empirical and textual methods. The evolution of the narrative psyche is described; beginning with recent interpretations of the aetiology and meaning of the European Upper Palaeolithic cave paintings. Shamanism is then examined and linkages are made with subsequent esoteric traditions such as Gnosticism, Hermeticism, the Imaginal Realm of the Sufi mystics, and the Romantic Movement in European literature. The Imaginal Realm, as a metaphysical construct, is posited in relationship to de Chardin’s Noosphere, Sheldrake’s Morphic Resonance, the Celtic Web of Wyrd and Jung’s Collective Unconscious. Empirical research is presented on contemporary expressions of this tradition. Three internationally recognised Australian authors, David Malouf, Thomas Keneally and Colleen McCullough, were either interviewed or completed a questionnaire on their backgrounds, the role of place relationships, states of consciousness when writing and reading, the role of literature and related questions. Five dedicated readers and two professionally credentialed practicing shamans completed similar questionnaires on their experiences and views on literature, the act of reading, and shamanic and creative consciousness. The responses are accompanied by textual analysis of the work of the three authors, drawing out themes of importance. Further discussion of the empirical and textual material in the context of broader literature establishes the epistemological dimensions of both mythopoeic literary consciousness and shamanic consciousness. The nature and relationship of consciousness and soul are examined from a perspective that unites them with the anima mundi and posits them in relationship with place and elsewhere-place. The concluding section revisits core themes to posit the mythopoeic writer and MLC within the heritage of a metaphysical tradition that delineates the existential boundaries of the psyche. It is argued that MLC is a manifestation of the narrative imperative of the psyche or soul to orientate itself along a place-elsewhere-place continuum, a continuum that parallels states of consciousness from the participation mystique to the de-centred self. / Doctor of Philosophy (PhD)
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From "The Wizard of Oz" to "Wicked" trajectory of American myth /Burger, Alissa. January 2009 (has links)
Thesis (Ph.D.)--Bowling Green State University, 2009. / Document formatted into pages; contains vi, 269 p. Includes bibliographical references.
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Radioactive kryptonite : the industrial factors behind the use of origin tales in comics-based films /Fried, Brian January 1900 (has links)
Thesis (M.A.)--Carleton University, 2001. / Includes bibliographical references (p. 148-157). Also available in electronic format on the Internet.
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Personifizierte Ideologie : zur Konstruktion, Funktion und Rezeption von Identifikationsfiguren im Nationalsozialismus und im Stalinismus /Luckey, Heiko, January 1900 (has links)
Thesis--Universität Bonn, 2007. / Includes bibliographical references (p. 556-589) and index.
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The New York Times and the sleeping giant a quantitative and qualitative content analysis of how myth was used to explain the attack on Pearl Harbor /Wing, John Alan. January 2007 (has links)
Thesis (M.S.)--Ohio University, November, 2007. / Title from PDF t.p. Includes bibliographical references.
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'A far green country' : an anlaysis of the presentation of nature in works of early mythopoeic fantasy fiction /Langwith, Mark J. January 2007 (has links)
Thesis (Ph. D.)--University of St Andrews, April 2007.
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Media culture and the "Kingdom" transforming worlds in the moral imagination /Shewman, Edward J. January 1999 (has links)
Thesis (M.A.)--St. Bernard's Institute, 1999. / Abstract. Includes bibliographical references (leaves [131-134]).
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'n Hermeneutiese ondersoek na enkele teologiese interpretasies rondom die vroue van AdamMondriaan, Marlene Elizabeth. January 2005 (has links)
Thesis (M. A.(Biblical and Religious Studies))--University of Pretoria, 2003. / Includes bibliographical references.
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Le trésor dans l'île, thème de fiction narrative Alexandre Dumas, Le Comte de Monte-Cristo ; Robert Louis Stevenson, L'île au trésor ; Hergé, Le secret de la licorne et Le trésor de Rackham le Rouge /Deyts, Pierre. Dubois, Claude-Gilbert. January 1900 (has links)
Thesis (doctoral)--Université Michel de Montaigne Bordeaux III. / Includes bibliographical references (p. 536-[549]).
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