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A definitive edition and analysis of the Tjakova myth of the VakavangoDiaz, Herbert Ndango January 1992 (has links)
Bibliography: pages 364-375. / The field work for this thesis was never a "safe" project, but a very important one it a people's heritage (the Vakavango heritage), which includes memories of generations of migration and therefore some potentially highly informative data, was not to be lost. The project, concerned with the traditions of a people living on both sides of the Kavango river, on the border of Angola and Namibia, began when the Angolan civil war was already in full swing on the northern bank and the liberation struggle was already heating up in Namibia. The first purpose was to produce a definitive version of the most important myth cycle of the Vakavango, the myth in which Tjakova is the chief actor. The second purpose was to subject the myth to analysis as one expression of these peoples' religion. These two purposes are interactive. To decide what must be included and what excluded in a definitive version of the myth is to have already begun analysis.
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Myth as a reflection of Ruanda and Rundi deism and ethosSchmelling, Abrienne Cohen, January 1969 (has links)
Thesis (M.A.)--University of Wisconsin--Madison, 1969. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.
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Heart of Darkness a deconstruction of traditional Christian concepts of reconciliation by means of a religious studies perspective on the Christian and African religions /Meiring, Arnold Maurits. January 2005 (has links)
Thesis (DD(Science of Religion and Missiology)--University of Pretoria, 2005. / Includes bibliographical references.
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African art and mythTill, C M January 1977 (has links)
No description available.
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