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Which witch?: Morgan Le Fay as shape-shifter and English perceptions of magic reflected in Arthurian legendUnknown Date (has links)
Descended from Celtic goddesses and the fairies of folklore, the literary character
of Morgan le Fay has been most commonly perceived as a witch and a one-dimensional
villainess who plagues King Arthur and his court, rather than recognized as the legendary
King’s enchanted healer and otherworldly guardian. Too often the complexity of Morgan
le Fay and her supernatural abilities are lost, her character neglected as peripheral. As a
literary figure of imaginative design this thesis explores Morgan le Fay as a unique
“window” into the medieval mindset, whereby one can recover both medieval
understandings of magic and female magicians. By analyzing her role in key sources
from the twelfth to fifteenth century, this thesis uses Morgan le Fay to recover nuanced
perceptions of the supernatural in medieval England that embraced the ambiguity of a
pagan past and remained insulated from continental constructions of demonic witchcraft. / Includes bibliography. / Thesis (M.A.)--Florida Atlantic University, 2015. / FAU Electronic Theses and Dissertations Collection
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The ghost story across cultures : a study of Liaozhai Zhiyi by Pu Songling and the Celtic Twilight by William Butler Yeats / Study of Liaozhai Zhiyi by Pu Songling and the Celtic Twilight by William Butler YeatsWong, Kuok January 2008 (has links)
University of Macau / Faculty of Social Sciences and Humanities / Department of English
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Le roi Marc aux oreilles de chevalMilin, Gaël. January 1991 (has links)
Version remaniée : Thèse de doctorat : Lettres : Rennes 2 : 1989. / Contient le texte de diverses versions du conte. Bibliogr. p. 317-339. Index.
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Mite-poësie : die mite-skepping in die poësie van William Butler Yeats en Adriaan Roland HolstMilne, Sarah Elizabeth January 1967 (has links)
In my kennismaking met die poësie van Yeats en Roland Holst het ek onvermydelik opgemerk dat hulle sekere simbole ooreenkomstig gebruik, dat hulle dieselfde hoë, aristokratiese waardes handhaaf en gevolglik 'n afkeer het van die moderne massa-demokrasieë. Later het ek ontdek dat albei digters sterk in die Keltiese mites en sages belang gestel het en dat Roland Holst Yeats as 'n belangrike invloed eien. Dit alles, en die feit dat hulle albei enkele gegewens uit die Griekse mitologie daarby voeg in wat hulle "mites" word, het my voorgekom as goeie rede vir 'n vergelykende studie. So 'n ideë-studie het egter gedreig om iets heel anders te word as die literêre beskouing wat ek beoog het. Geleidelik het dit egter geblyk dat die mite méér moet wees dan die ideë-sisteem; en juis dit waardeur die mite meer is dan ideë-sisteem het die belangrikste regverdiging geword vir 'n vergelykende studie, en terselfdertyd, vir 'n toespitsing van die aandag op die poësie.
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