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La figura di Theseus nella ceramica attica iconografia e iconologia del mito nell'Atene arcaica e classica /Servadei, Cristina. January 2005 (has links)
Thesis (doctoral)--Università di Bologna, 1997. / CD-ROM contains PDF files. At head of title: Alma mater studiorum, Università di Bologna, Dipartimento di archeologia. Includes bibliographical references (p. 217-234) and index.
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Falling mythologies /Mance-Coniglio, Melissa. January 2008 (has links)
Thesis (M.S.)--Rochester Institute of Technology, 2008. / Typescript. Includes bibliographical references (leaf 35).
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Art and the Odyssey : the exploration into the Homeric poems, in particular the Odyssey, as symbolic of artistic experienceSiopis, Penelope January 1976 (has links)
No description available.
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Aphrodite in Athens : a study of art and cult in the classical and late classical periods /Rosenzweig, Rachel, January 1999 (has links)
Thesis (Ph. D.)--University of Oregon, 1999. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 225-237). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9957572.
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Greek myths abroad : a comparative regional study of their funerary uses in fourth-century BC Apulia and EtruriaRiedemann Lorca, Valeria January 2015 (has links)
This dissertation presents a regional comparative study of the uses of Greek heroic stories as illustrated on funerary monuments of Apulia and Etruria in the fourth century BC. Founded on the grounds of contextual archaeology and reception theory, it approaches a group of Apulian red-figure vases, Etruscan sarcophagi and tomb-paintings from both regions as a means of investigating the cultural significance of the myths presented in the grave by different peoples in Italy. Moreover, this study emphasises the possible ways in which viewers engaged with the images depicted on these monuments by defining a cultural frame ('horizon of expectations') for their interpretation of the images. Further contributions include the development of a model for the interpretation of the myths depicted on Apulian red-figure vases and the prominence of the corpus of Etruscan mythological sarcophagi, a type of monument often neglected in Etruscan studies. At the end of the dissertation, it will become clear - it is expected - that there were regional preferences for particular myths and differences in both the media and the ways in which Greek myths were used and displayed during the funeral.
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