This thesis examines the major stages in the political career of Oswald Mosley and argues that a continuity existed in his diagnosis of contemporary history from the moment he entered political life at the end of the First World War as a zealous parliamentarian till his last days as an unrepentant fascist. An ideal type of the 'esoteric' core of Mosley's ideology is used to identify a consistent thread which resolves the contradictions in Mosley's political agitations into paradoxes. Drawing on a theory of ideology which distinguishes between its fundamental and operative dimensions, Mosley's core (fundamental) ideology is depicted ideal typically as the ambition to realize Bntain's potential for national greatness conceived in a future oriented, modernizing rather than a nostalgic or conservative perspective. The structure of the biography follows the chronological narrative of Mosley's life, episodically, illuminating it through pivotal moments in his career. Through a textual and contextual analysis of these moments it identifies the performance of the operative dimension of Mosley's fundamental ideology in order to bring out its internal consistency. Each chapter highlights a theme which may have manifested itself at other moments in Nlosley's life but is especially distinct at one stage of Nlosley's career. These themes are the myth of the airman, leadership, economics, unemployment, the New Party, the nation and Greater Britain, anti-Semitism and violence, philosophical idealism and the philosophy of apologia. The thesis draws on the vast published textual output from Mosley along with reports of his speeches, supported by many contemporary writings relating to chapter topic. These resources are used to demonstrate and shed light on the esoteric mainspring of Mosley's politics. In addition the thesis demonstrates and argues in favour of a biographic methodology which does not construct the inner machinations of the subject's psychology or 'mind' as an explanation of behaviour but looks pragmatically to the significant products of the subject and constructs, ideal typically, a consistent ideological matrix the centre of the subjects politics. This thesis contributes to knowledge of the subject by presenting a pragmatic understanding of Mosley's political motivations and identifying a consistent core to his political pronouncements. The thesis also brings to biographical studies a phenomenological methodology which dispenses with the postulation of a knowable core personality or 'real' psychological life in order to demonstrate the inner coherence of the subject's personality for the purpose of historical reconstruction.

Denna uppsats är en teoristyrd litteraturstudie om japansk nationalism under perioden 1853-1939. Syftet med studien är att tillämpa fyra nationalismteorier på utvecklingen av nationalismen i Japan, för att undersöka vilken av de fyra nationalismteorierna som bäst stämmer överens med det japanska exemplet.

This thesis explores several events in the 1920 that indicated that anti-Catholicism flourished in an atmosphere of resurgent nationalism and nativism.

The thesis offers a first-hand historically informed research on the trajectory of the making of the post-colonial state in Somalia (1940-60). It does so by investigating the interplay between the emergence and diffusion of national movements following the defeat of the Italians in 1941 and the establishment of a British Military Administration, and the process of decolonisation through a 10-year UN trusteeship to Italy in 1950. It examines the extent to which the features of Somali nationalism were affected/shaped by the institutional framework established by the UN mandate. The central argument of the thesis is that the imposition of the UN trusteeship, rather than enabling democratization, led to a ‘verticalisation’ of Somali nationalism and created a highly restrictive political space. Based on a combination of archival and oral sources, the thesis explores the socioeconomic context and possibilities of the wartime. It argues that Somali nationalism developed an efficient and inclusive message that successfully engaged in dialogue with the masses in the 1940s. However, the protraction of the UN debate and the extension of the military administration caused the radicalisation of conflicts among different groups. The imposition of self-government and democratization through the trusteeship system led to the establishment of a highly centralised and fixed institutional framework. Within this context, not only nationalism came to lose its original horizontal and inclusive political line, but national politics were reduced to zero-sum competition to access power and power structures. Ultimately, this exclusive, autocratic and distorted version of the nation-state negatively affected the process of unification of Somalia and Somaliland. By exploring the political trajectory leading to independence and unification, the thesis enhances a broader understanding of the development of post-colonial politics in Somalia. It contributes to specific discussions that centred on the features of the colonial legacy, on the effects of state and nation building, and on the consolidation of a clan-based discourse in post-colonial politics.

University of Macau / Faculty of Social Sciences. / Department of Communication

No description available.

The thesis tracks the emergence of western forms of nationalism in republics of Post- Soviet Central Asia, and assesses the likelihood of ethnic conflict in the region, and its probably consequences. It also considers the means by which the heterogenous populations in Central Asia may be more effectively accommodated within the individual republics. The thesis is conceived in three sections. The first section examines the causes and consequences of ethnic conflict, and discusses the implications of ethnic conflict in Central Asia from the perspective of state sovereignty and international security. The second section assesses the evolution of ethnicity and identity in Central Asia, the impact of Soviet nationalities policies and the impact of newly enforceable territorial sovereignty on the interconnected populations of the region. The third, and concluding, section considers the impact of state actors and regional and international institutions on the Central Asian republics, and considers strategies that may mitigate the potential for ethnic conflict in the region. The thesis concludes that emerging ethnonationalism in Post-Soviet Central Asia poses a real threat to regional and international security. The individual republics are pursuing policies which discriminate against large proportions of their populations. The Central Asian republics are also struggling with their newly found sovereignty, especially in respect to their asymmetrical relationships with states such as Russia, China and the U.S.A. The republics should consider alternative forms of governance, such as national cultural autonomy or consociation, which may contribute to a lessening of the tensions between ethnic or identity groups. The international community, in the form of the United Nations or other appropriate organisations, should recognise the potential for ethnic conflict in the region, and should actively encourage the states to adopt innovative forms of government that accommodate the diverse needs of their heterogenous populations.

Television permeates our daily lives. Ninety seven per cent of New Zealand households have a television set and the average watching time is estimated at 20 hours per week (Grimes and Tyndall, 1999). This exposure to television has been recognised as an important factor in the way we see and identify ourselves as a nation - how we seek to find signs and symbols that construct a shared identity and culture that make us New Zealanders and distinguish us from other nations.Using narrative theory combined with critical discourse analysis this thesis aims to show that, even in factual programmes, stories can be constructed that convey messages of nationhood and belonging, creating and recreating a national identity that present New Zealanders in a positive way and seek to bind them as a nation.Three episodes of the television series Heartland, a popular documentary in the mid-1990s that explored the people and lifestyles in different locations around New Zealand, were selected for analysis focusing on narrative structure, the social actors and the role of the narrator. Critical discourse analysis was employed to look at the connection between language, image and text, and discursive practices as well as the relationship the text has in a socio-cultural context.The analysis found that the programmes followed a similar narrative structure to that of a fictional story involving changes in states of equilibrium that created a sense of concern or anxiety associated with what it means to be a New Zealander. However the subsequent resolution of these anxieties combined with the entertaining role of the programme presenter Gary McCormick and the involvement of social actors, resulted in a version of New Zealand's national identity being represented as a reality through a positive discourse of the population working towards a socially and culturally harmonious society.

Thesis (Ph. D.)--University of Hong Kong, 2007. / Title proper from title frame. Also available in printed format.

Thesis (B.A.)--Haverford College, Dept. of History, 2007. / Includes bibliographical references.