This study focuses on analyzing and discussing the interpretation of the vocal chamber music Ariel by the 20th century American composer Ned Rorem. (1923-) In 1971, Rorem was commissioned to compose a vocal chamber music for soprano, clarinet and piano by one of his good friend, an American well-known soprano, Phyllis Curtin(1921) . He picked up five pieces of works from the anthology, Ariel, of Sylvia Plath(1932-1963), the American female poet, for this composition. With a tie-in of Plath¡¦s poems and the poetry¡¦s life experience, Rorem used various musical language to reveal the sorrow and frustration in the mind of a woman whose husband has affair, and also the ideology of death in these poems . This essay consists of five parts: 1. Composer Ned Rorem¡¦s life, 2. Rorem and his art songs, 3. Poet Sylvia Plath's life, 4. The composed background of the vocal chamber music, Ariel, 5. Analysis and interpretations of the five lyrics and songs of Ariel. Through my study of Ned Rorem¡¦s Ariel, I hope to assist the readers having a better understanding to this work, as well as providing useful ideas for the interpreta-tion.

Edward C. Fritz was one of the most influential environmentalists in Texas history. Although he took a circuitous route to environmental activism, Fritz evolved into a powerful force fighting on behalf of Texan nature. Participating in substantial actions throughout the second half of the twentieth century, Fritz's contributions to environmental activism resulted in the successful preservation of thousands of acres and multiple wildlife species. Fritz parlayed his legal background into effective activism, beginning his career with a successful lobbying campaign for protection of Harris Hawks. He led the campaign to stop a decades old plan for canalization of the Trinity River. The creation of COST combined Fritz's environmental focus with the concerns of economic conservatives to prevent a billion dollar government funded project that would have significantly altered the river. Fritz then led a cadre who took over efforts to establish a preserve in the Big Thicket national forest. He oversaw the foundation of a protected area far larger than original expectations, capitalizing on the growing awareness of environmental issues in the 1970s. Fritz's interest in the Big Thicket led to a fight against the Forest Service's practice of clearcutting and its effect on Red Cockaded Woodpeckers. Through litigation and legislation, Fritz fostered a grassroots movement aimed at reforming management of the national forests, saw the establishment of the state's first wilderness, and saved the declining population of the woodpeckers. For his tireless approach and lifelong achievements, Fritz was given the title of "Father of Texas Conservation."

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Die Diplomarbeit mit dem Thema: 'Konzeption und Herstellung von Systemdemonstratoren für miniaturisierte Im-Ohr-Lautsprecher mit drahtlosen Kommunikationsschnittstellen' konzentriert sich auf die Auslegung einer Schaltung eines neuartigen Lautsprechers, welche auf dem Prinzip der NED-Aktoren ('Nanoskaliger elektrostatischer Antrieb') arbeiten. Des Weiteren werden Gehäuse für die Im-Ohr-Anwendung als auch die Freifeldanwendung entwickelt.:Symbolverzeichnis Abkürzungsverzeichnis 1 Einleitung 2 Stand der Technik 2.1 Im-Ohr-Lautsprecher 2.2 Drahtlose Kommunikation 2.3 Kommerzielle Piezotreiber 3 Anforderungen an den Systemdemonstrator 4 Chipaufnahme 4.1 Anforderung 4.2 Konzeption und Umsetzung 5 Drahtlose Kommunikation 5.1 Anforderung 5.2 Konzept 5.3 Umsetzung 6 Verstärker 6.1 Anforderung 6.2 Konzeption und Umsetzung 6.2.1 Validierung des DRV2700 6.2.2 Thermisches Management der Verstärkerschaltung 6.3 Modellierung des Gehäuses für die Elektronik 7 Im-Ohr-Demonstrator 7.1 Anforderung 7.2 Konzeption und Umsetzung 8 Horn-Demonstrator 8.1 Anforderung 8.2 Konzeption und Umsetzung 9 Ergebnisse 9.1 Chipaufnahme 9.2 Verstärker 9.3 Gehäuse für Elektronik 9.4 Im-Ohr-Lautsprecher 9.5 Akustisches Horn 10 Realisierung mittels Entwicklungsplatine 11 Diskussion und Ausblick 12 Zusammenfassung Literatur Selbstständigkeitserklärung Anhang

Thesis (D. Min.)--Western Conservative Baptist Seminary, 1995. / Includes bibliographical references (leaves 123-127).

abstract: A resurgence of the American art song is underway. New art song composers such as Adam Guettel, Michael John LaChiusa, and Georgia Stitt are writing engaging and challenging songs that are contributing to this resurgence of art song among college students. College and University musical theatre programs are training performers to be versatile and successful crossover artists. Cross-training in voice is training a performer to be capable of singing many different genres of music effectively and efficiently, which in turn creates a hybrid performer. Cross-training and hybridity can also be applied to musical styles. Hybrid songs that combine musical theatre elements and classical art song elements can be used as an educational tool and create awareness in musical theatre students about the American art song genre and its origins while fostering the need to learn about various styles of vocal repertoire. American composers Leonard Bernstein and Ned Rorem influenced hybridity of classical and musical theatre genres by using their compositional knowledge of musicals and their classical studies to help create a new type of art song. In the past, academic institutions have been more accepting of composers whose careers began in classical music crossing between genres, rather than coming from a more popularized genre such as musical theatre into the classical world. Continued support in college vocal programs will only help the new hybrid form of American art song to thrive. Trained as a classical pianist and having studied poetry and text setting, Georgia Stitt understands the song structure and poetry skills necessary to write a contemporary American art song. This document will examine several of Carol Kimball’s “Component of Style” elements, explore other American composers who have created a hybrid art song form and discuss the implementation of curriculum to create versatile singers. The study will focus on three of Georgia Stitt’s art songs that fit this hybrid style and conclude with a discussion about the future of hybridity in American art song. / Dissertation/Thesis / Doctoral Dissertation Music 2018

Publicly editable knowledge bases such as Wikipedia and Wikidata have over the years grown tremendously in size. Despite the quick growth, they can never be fully complete due to the continuous stream of events happening in the world. In the task of Entity Linking, it is attempted to link mentions of objects in a document to its respective corresponding entries in a knowledge base. However, due to the incompleteness of knowledge bases, new or emerging entities cannot be linked. Attempts to solve this issue have created the field referred to as Emerging Entities. Recent state-of-the-art work has addressed the issue with promising results in English. In this thesis, the previous work is examined by evaluating its method in the context of a much smaller language; Swedish. The results reveal an expected drop in overall performance although remaining relative competitiveness. This indicates that the method is a feasible approach to the problem of Emerging Entities even for much less used languages. Due to limitations in the scope of the related work, this thesis also suggests a method for evaluating the accuracy of how the Emerging Entities are modeled in a knowledge base. The study also provides a comprehensive look into the landscape of Emerging Entities and suggests further improvements.

The purpose of the document is to present Ned Rorem’s Sun (1966): Eight Poems in One Movement for Solo Voice and Orchestra. the eight songs are “To the Sun,” “Sun of the Sleepless,” “Dawn,” “Day,” “Catafalque,” “Full Many a Glorious Morning,” “Sundown Lights,” and “From What Can I Tell My Bones?” the document is divided into four main chapters: 1) Background; 2) Poet and Poem Background; 3) Musical Analysis; 4) Performance Guide. Chapter 1 contains biographical information on Ned Rorem, and basic information of the work, Sun. Here, a relationship between the eight songs is presented. Chapter 2 discusses biography of poet and background of the poem. the poetry is examined to determine the theme and to identify imagery, and metaphor. Chapter 3 offers detailed musical analysis for each of the eight songs and interludes. Chapter 4 provides performance guide which offers assistance in forming personal interpretation and brief specifies to singers who wish to perform this work. Appendix a includes tonality, difficulty, tempo, form, theme, range, and orchestration of each song and interlude. This study serves as a reference guide for performers of Sun.

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With the advent of software-defined radio, many radio applications have and are currently being designed for FPGAs, due to their high performance and reconfigurability. Invariably, "legacy" waveforms, such as FM, will need to be supported in such systems. A challenge that comes with programming FPGAs is the increased design and implementation time over conventional software programming. In this thesis, three FM demodulator techniques are implemented and compared in an FPGA. Two techniques are found to have similar SNR performance while having very different FPGA implementation characteristics. Library based design is explored for demodulators to increase FPGA design productivity. A block library is created and verified by use in tested demodulator designs. Two design tools that aim to increase design productivity in FPGAs, Ogre and HMFlow, are also examined and used to implement FM demodulators in a PCM/FM receiver design. Ogre leverages the demodulator block library, along with accompanying metadata, to decrease design time significantly. Design performance is not sacrificed when using Ogre. HMFlow, which relies on finer-grained blocks, reuses block implementation data to speed up implementation of the full design. The implementation of the HMFlow demodulator design is sped up by 3x but, when compared with the standard flow, produces an implementation with a reduced maximum clock rate (about 1/2) and with slightly more resources (about 6%). When comparing Ogre with HMFlow, the coarser-grained blocks of Ogre provide a more efficient design experience than that of HMFlow.