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Beauty, objectification, and transcendence : modernist aesthetics in The Picture of Dorian Gray and Pale FireMcLeod, Deborah S. January 2007 (has links)
Thesis (M.A.)--University of South Florida, 2007. / Title from PDF of title page. Document formatted into pages; contains 102 pages. Includes bibliographical references.
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Dekonstruktion im Roman : erzähltechnische Verfahren und Selbstreflexion in den Romanen von Vladimir Nabokov und Samuel Beckett /Schwalm, Helga. January 1991 (has links)
Diss.--Hamburg--Universität, 1990.
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The underside of the weave: some stylistic devices used by Vladimir NabokovLokrantz, Jessie Thomas. January 1973 (has links)
Thesis--Uppsala. / Bibliography: p. 130-133.
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The theme of exile in Nabokov's The gift and Kundera's The unbearable lightness of beingPichova, Hana. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1991. / Vita. Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves: 148-154).
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Narrative Reliability in Selected Works by Bulgakov, Nabokov, and TertzButler, Michael, Butler, Michael January 2012 (has links)
This work examines the use of ambiguous or obfuscating narrative devices in 3
works by 20th century Russian authors: A Dead Man’s Memoir, by Mikhail Bulgakov, The
Eye by Vladimir Nabokov, and You and I, by Abram Tertz. Bulgakov relies on diabolical
imagery as well as characters that are by and large caricatures of how any decent person
would behave. Nabokov employs several modernist tropes including skillful use of
estrangement, as well as a bland tone towards occurrences that ordinary people would find
miraculous. Tertz plays on the notion of a double identity by psychically linking two polar
extremes until they are nearly unable to tell themselves apart from one another, causing one
to crack and kill himself, thus restoring his observer to a more enlightened state. Each
work uses the idea of narrative ambiguity and unreliability to demonstrate the
incommunicability of one’s artistic vision in its purest, platonic form.
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A formal analysis of the theme of art in Nabokov's Russian novels.Anderson, Terry Patrick January 1973 (has links)
No description available.
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The excitement of verbal adventure a study of Vladimir Nabokov's English prose /Bodenstein, Jürgen. January 1977 (has links)
Thesis--Heidelberg. / Vol. 2 (Appendix) includes bibliography.
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Authorship and authority : a study of Jorge Luis Borges and Vladimir Nabokov /Leung, Wing-kwong, Matthew. January 1980 (has links)
Thesis--M. Phil., University of Hong Kong, 1980.
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Nabokov's theory of prosodyWihl, Gary, 1953- January 1978 (has links)
No description available.
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The excitement of verbal adventure a study of Vladimir Nabokov's English prose /Bodenstein, Jürgen. January 1977 (has links)
Thesis--Heidelberg. / Vol. 2 (Appendix) includes bibliography.
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