Global ETD Search

1	BRIDGING THE GAP: DREW HAYDEN TAYLOR, NATIVE CANADIAN PLAYWRIGHT IN HIS TIMES Young, Dale J. 04 November 2005 (has links) No description available. Theater Drew Hayden Taylor Contemporary Canadian Native Theatre Native Theatre First Nations Theatre Tomson Highway Larry Lewis Native humor Native comedy Norval Morrisseau Tomson Highway Native Earth Performing Arts Robert Nunn Thomas King
2	Returning Home Through Stories: A Decolonizing Approach to Omushkego Cree Theatre through the Methodological Practices of Native Performance Culture (NPC) Brunette, Candace 05 April 2010 (has links) This research examines Native Performance Culture (NPC), a unique practice in Native theatre that returns Aboriginal people to the sources of Aboriginal knowledge, and interrupts the colonial fragmenting processes. By looking at the experiences of six collaborators involved in a specific art project, the artist-researcher shares her journey of healing through the arts, while interweaving the voices of artistic collaborators Monique Mojica, Floyd Favel, and Erika Iserhoff. This study takes a decolonizing framework, and places NPC as a form of Indigenous research while illuminating the methodological discourses of NPC, which are rooted in an inter-dialogue between self-in-relation to family, community, land, and embodied legacies. Finally, this research looks at the ways that artists work with Aboriginal communities and with Aboriginal knowledge, and makes recommendations to improve collaborative approaches. Indigenous Knowledge Decolonization Native theatre Oral Tradition Cree Community Art James Bay Monique Mojica Floyd Favel Erika Iserhoff Performance Ontario Aboriginal Indigenous Research 0740 0465 0273
3	Returning Home Through Stories: A Decolonizing Approach to Omushkego Cree Theatre through the Methodological Practices of Native Performance Culture (NPC) Brunette, Candace 05 April 2010 (has links) This research examines Native Performance Culture (NPC), a unique practice in Native theatre that returns Aboriginal people to the sources of Aboriginal knowledge, and interrupts the colonial fragmenting processes. By looking at the experiences of six collaborators involved in a specific art project, the artist-researcher shares her journey of healing through the arts, while interweaving the voices of artistic collaborators Monique Mojica, Floyd Favel, and Erika Iserhoff. This study takes a decolonizing framework, and places NPC as a form of Indigenous research while illuminating the methodological discourses of NPC, which are rooted in an inter-dialogue between self-in-relation to family, community, land, and embodied legacies. Finally, this research looks at the ways that artists work with Aboriginal communities and with Aboriginal knowledge, and makes recommendations to improve collaborative approaches. Indigenous Knowledge Decolonization Native theatre Oral Tradition Cree Community Art James Bay Monique Mojica Floyd Favel Erika Iserhoff Performance Ontario Aboriginal Indigenous Research 0740 0465 0273

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