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Nature perception and the definition of aestheticRetter, Valerie Margo. January 1977 (has links)
Thesis (M.S.)--Wisconsin. / Includes bibliographical references (leaves [81-83]).
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Ecophobia : a fear of Nature's answering violenceEvans, Paul Martin January 2001 (has links)
No description available.
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Emergent architecture: a resurgence of natural 'beauty' /Fung, Eric Matthew, January 1900 (has links)
Thesis (M. Arch.)--Carleton University, 2005. / Includes bibliographical references (p. 87-88). Also available in electronic format on the Internet.
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Cultivating hallowed ground the use of garden imagery as a contemporary symbol of the sacred /Giannini, Claudia Teresa. January 1999 (has links)
Thesis (M.F.A.)--West Virginia University, 1999. / Title from document title page. Document formatted into pages; contains iv, 22 p. : ill. (some col.) Vita. Includes abstract. Includes bibliographical references (p. 15).
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Natura ikonographische Studien zur Geschichte und Verbreitung einer Allegorie /Kemp, Wolfgang, January 1973 (has links)
Thesis--Tübingen. / Vita. Bibliographical references includes in "Anmerkungen": p. 176-208.
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Die Entwicklung der Naturpersonifizierung im Werk Arnold Böcklins (1827-1901) Studien zur Ikonographie und Motivik in der Kunst des 19. Jahrhunderts /Kleineberg, Günther, January 1971 (has links)
Thesis--Göttingen. / Vita. Includes bibliographical references.
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The garden, the axe, and the nuclear peril educational perspectives in landscape painting and the American land /Mullowney, Sharon Diane. January 1983 (has links)
Thesis (M.A.)--University of California, Santa Cruz, 1983. / Typescript. Includes bibliographical references (leaves 204-209).
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The aesthetic appreciation of nature Western and Japanese perspectives and their ethical implications /Saito, Yuriko. January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1983. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 309-320).
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Landschaft; zur Funktion des Ästhetischen in der modernen Gesellschaft.Ritter, Joachim, January 1963 (has links)
Rede--Münster (Feierliche Übernahme des Rektoramtes) 1962.
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Die mens en die droë landskap : 'n interaksiePotgieter, Susanna Magrieta 26 May 2014 (has links)
M.A. (Art History) / In the South African literature of Art there has been no real focus on the arid landscape as such. Yet, as it is typical of the country, it is being increasingly explored and painted. However, a discrepancy exists: although the human experience of the arid landscape has become more apparent in paintings since the Fifties, this phenomenon was not really reflected in the Art Literature. This research was conducted to assess the value of landscapes in South African paintings, especially the arid landscape. In the introduction it is shown that the term "landscape" can be interpreted in two ways. In the first instance, the term "landscape" refers to the visual, geographical features of a specific area. In the second instance, the term "landscape" relates to metaphysical aspects, such as the experiencing, processing, involvement and relationship of man with his environment. A short historical review was done of South African paintings during the periods 1860-1920 and 1920-1950. During these periods the rural existence acted as the norm in landscapes. This norm changed after 1950, reflecting a more abstract tendency in art, which indicated a deepening spiritual expression by man. In chapter two an introductory view is given of the third period 1950-1990, focusing on the interaction of man and the arid landscape as expressed on four levels, namely, the geographical, the social, the psychic and the spiritual. The arid landscape appears geographically prominent as it covers a vast area of the land.
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