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Navaho culture change as reflected in the Enemy Way CeremonialHarman, Robert Charles January 1964 (has links)
No description available.
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NAVAJO SANDPAINTINGS: FROM RELIGIOUS ACT TO COMMERCIAL ARTParezo, Nancy Jean January 1981 (has links)
This study documents the recent commercialization and secularization of a form of religious art by the Navajo Indians of northern Arizona and New Mexico. The form, commercial sandpainting, is made of pulverized dry materials glued onto a permanent backing. Sacred sandpaintings are impermanent pictures that attract powerful supernaturals who are invoked to cure and to bless. The paintings are intentionally destroyed at the end of the ceremony and their use is surrounded by supernaturally sanctioned prescriptions. Unlike the sacred form from which the decorative art stemmed, commercial sandpaintings are designed and made as part of the national Indian arts and crafts market. The development of commercial sandpaintings, therefore, involved a shift from a sacred to a secular domain and a shift from native use to non-native consumption. The purpose of this work is to understand how and why a group of people decided to commercialize a sacred art form and the social and artistic repercussions of intentional sale to outsiders and the breaking of widely held religious rules. It focuses on the mechanisms of this complex process of innovation and diffusion. Basically it identifies the innovators and founders (both Navajo and Anglo-American), when and where these events occurred, how the idea to make commercial sandpaintings spread, and why Navajos who subsequently became sandpainters decided to pursue the craft. It will be shown that while reasons were numerous, economics was always of central importance. It is concluded that the commercialization of ethnic art occurs because of poverty situations when makers have few economic alternatives and there is a demand for luxury items by another group.
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The practice of the Kinaalda' on the north/central part of the Navajo reservationBriggs, Dorothy Ann Fischer, 1958- January 1987 (has links)
A descriptive study concerning the Navajo Puberty Ceremony for girls, the Kinaalda', examined the extent of the practice of the ceremony, and the frequency in which the girls who have had the ceremony and the girls who have not had the ceremony differ in traditional characteristics. Fifty-four percent of the girls questioned have had the Kinaalda'. Significant differences between the girls who had the ceremony and those who had not had the ceremony were found, using a chi square test of significance at an alpha level of .05, in the frequency of a set of traditional characteristics. The Kinaalda' girl possessed the set of traditional qualities more frequently than the non-Kinaalda' girl.
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Contemporary usage of the Blessingway ceremony for Navajo birthsHartle-Schutte, Maureen, 1952- January 1988 (has links)
This ethnographic study investigates the frequency of use of the Navajo Blessingway ceremony during pregnancy by Navajo women in the Fort Defiance Service Unit of Indian Health Service. Through interviews with postpartum women and community members it was found that approximately 14% of the Navajo women at this hospital had a Blessingway ceremony during their current pregnancy. The data indicate that contemporary usage of the Blessingway ceremony is much less frequent than with previous generations. Factors contributing to this decline include a: decrease in the use of Navajo language, decreased number of practicing medicine men, increased reliance on Christian religions practices, influence of Western education and health care practices and changing socioeconomic conditions. The most significant factor in encouraging pregnant women to use this beneficial ceremony was the influence of the extended family.
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