This study focuses on the concept or phenomenon of nihilism, given the regularity with which it manifests itself (to anyone who is aware of it in more or less theoretical or philosophical terms) in all kinds of cultural artifacts such as films, television shows or series, books such as novels or philosophical texts, and magazines. Most of these artifacts can be grouped together under the heading of the media in the present era. The objective of the study is to use the concept of nihilism to identify and analyse selected cases in contemporary media -- in the form of films and television series – to answer the question, with what kinds of nihilism people would come face to face if they knew how to recognize them. The study begins with an outline of a theoretical framework concerning the concept of nihilism. A number of thinkers’ work is used to come to grips with the complex phenomenon, but mostly it is Nietzsche whose thought seems to be valuable for present purposes. In the second chapter the spotlight falls on what is called (in this study) ‘capitalist nihilism’, which seems to belong with what Nietzsche called ‘passive nihilism’, but also seems to exhibit some aspects of ‘active nihilism’. The third chapter is an examination of nihilism in a foreign (Japanese) culture by concentrating on Japanese anime, to test the differences between Western (historically Christian) culture and one with a different cultural and religious history. The last chapter consists of the analysis of a specific (Western) film, I ‘heart’ Huckabees, which was selected because of the variety of ‘nihilisms’ found in it. The study seems to confirm that nihilism is indeed widespread in contemporary, postmodern culture.