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11	Formal and Harmonic Considerations in Clara Schumann's <i>Drei Romanzen</i>, op. 21, no. 1 Lakner, Katie 29 July 2015 (has links) No description available. Music Clara Schumann musical form music by women nineteenth-century music piano music romance music harmony William Caplin Leonard Ratner music theory Romantic harmony
12	Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices Lee, Hyun Kyung (Organist) 05 1900 (has links) The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century. In addition, this research seeks standard nineteenth-century practices in Vierne’s music. Vierne lived at the same time as Debussy, who largely influenced his music. Nevertheless, his practices were varied on the basis of Vierne’s own musical ideas and development, which were influenced by established nineteenth-century practices. This research focuses on the music of Louis Vierne’s Pièces de fantaisie, Opp. 51, 53, 54, and 55 (1926-1927). In order to examine Debussy’s practices and standard nineteenth-century practices, this project will concentrate on a stylistic analysis that demonstrates innovations in melody, harmony, and mode compared to the existing musical styles. Louis Vierne Organ music Claude Debussy Musical style 19th-century music Nineteenth-century music Musical analysis. Style, Musical. Music -- 19th century. Academic theses

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Formal and Harmonic Considerations in Clara Schumann's <i>Drei Romanzen</i>, op. 21, no. 1

Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices