Thesis--Utrecht. / Errata slip inserted. Summary in English. "Stellingen": [2] p. inserted. Includes bibliographical references (p. 255-269) and index.

Inaug.-Diss.--Bonn. / Lebenslauf. "Kommt hier nur ein Teil der Eingerichten Arbeit zum Abdruck. Die ganze Arbeit Wird unter dem Titel: 'Walter Pater's Einfluss auf Oscar Wilde' in den 'Bonner Studien zur englischen Philologie' erscheinen." Cf. Clark, W.A. Wilde and Wildeiana. 1922-31. v. 5, p. 45-56. "Verzeichnis der Benutzten Literatur": p. [29].

Thesis (Ph. D.)--University of Wisconsin--Madison, 1975. / Typescript. Vita. Description based on print version record. Includes bibliographical references (leaves 321-331).

ix, 68 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / In 1958 Yanktonai Sioux painter Oscar Howe's (1915-1983) submission to the Annual National Indian Painting Competition at the Philbrook Museum of Art was rejected for deviating too far from the established conventions of "traditional Indian painting." Howe's innovative use of style and his subsequent declarations against the premises of his rejection established the artist as a major figure in the development of Native American painting in the twentieth century. The existing literature on Howe is predominantly biographical and lacks contextual or stylistic analysis. In particular, an under-analyzed relationship is prevalent between his mature style and his early works. This thesis aims to address the social, cultural, educational, political, and stylistic influences that prepared the artist to evolve the formal aspects of his painting. This discussion will expand the discourse on Howe by revealing trends of continuity in the artist's transition from his earlier style to an experimental style and showing that neither is without the influence of the other. / Committee in Charge: Leland M. Roth, Chair; Joyce Cheng; Brian Klopotek

This study analyzes the themes of victimization and self-sacrifice as they appear in the life and works of Oscar Wilde. "Victimization" is defined as an instance in which one character disregards, damages, or destroys another's well-being; "self-sacrifice" is an instance in which one character acts to his own detriment in order to help another or through dedication to a cause or belief. Chapter I discusses the way in which these concepts affected Wilde's personal life. Chapters II-VI discuss their inclusion in his romantic/decadent dramas, social comedies, various stories and tales, novel, and final poem; and Chapter VII concludes by demonstrating the overall tone of charitable morality that these two themes create in Wilde's work as a whole.

Inaug.-Diss.--Greifswald. / Lebenslauf. "Literatur-verzeichnis": p. [205]-209.

Thesis (M.A.)--University of South Florida, 2007. / Title from PDF of title page. Document formatted into pages; contains 102 pages. Includes bibliographical references.

Diss. : Philosophie : Konstanz. - Bibliogr. p. 337-342. -

Thesis (M.A.)--Brigham Young University. Dept. of English, 2008. / Includes bibliographical references (p. 64-69).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1972. / Typescript. Includes abstract and vita. Description based on print version record. Includes bibliographical references (leaves 227-235).