Submitted by Aelson Maciera (aelsoncm@terra.com.br) on 2017-09-12T20:08:39Z No. of bitstreams: 1 DissMGL.pdf: 1331735 bytes, checksum: d89c5c7a512c9941230916fb87f00426 (MD5) / Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-09-25T11:53:36Z (GMT) No. of bitstreams: 1 DissMGL.pdf: 1331735 bytes, checksum: d89c5c7a512c9941230916fb87f00426 (MD5) / Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-09-25T11:53:44Z (GMT) No. of bitstreams: 1 DissMGL.pdf: 1331735 bytes, checksum: d89c5c7a512c9941230916fb87f00426 (MD5) / Made available in DSpace on 2017-09-25T11:57:45Z (GMT). No. of bitstreams: 1 DissMGL.pdf: 1331735 bytes, checksum: d89c5c7a512c9941230916fb87f00426 (MD5) Previous issue date: 2017-02-22 / Não recebi financiamento / The present work seeks the understanding of how the culture is constituted in the official and unofficial scope of the state of. It focused on the cultural legislations of the state and its dialogical and ideological relationship with the cultures of resistance. Accordingly, Law No. 12,268 of February 20, 2006 (SÃO PAULO, 2006a) and Law No. 15,565, of September 25, 2014 (SÃO PAULO, 2014) were selected and analyzed from a Bakhtin perspective. In this analysis the statements of the legislations were compared with official texts and texts that defend or belong to the culture of resistance. It can be seen from the analysis that the State has no direct official actions and links with this culture. The proposal is the practice of a more democratic legislation that meets the real needs of the communities. Mainly in the defense and use of popular culture. / O presente trabalho busca a compreensão de como a cultura é constituída nos âmbitos oficial e não oficial do estado de São Paulo. Teve como foco as legislações culturais do estado e a sua relação dialógica e ideológica com as culturas de resistência. Desta maneira, as Lei n°12.268, de 20 de fevereiro de 2006 (SÃO PAULO, 2006a) e a Lei n°15.565, de 25 de setembro de 2014 (SÃO PAULO, 2014) foram selecionadas e analisadas na perspectiva Bakhtiniana. Nesta análise os enunciados das legislações foram cotejados com textos oficiais e com textos que defendem ou pertencem à cultura de resistência. Percebe-se com as análises que o Estado não possui ações e ligações oficiais diretas com esta cultura. A proposta é a prática de um legislar mais democrático e que atenda as reais necessidades das comunidades. Principalmente na defesa e uso da cultura popular.

The topic of my thesis focuses on the phenomenon of popular music in the area of Central Europe, which in the 20th century had been characterized by the presence of the ruling Communist ideology. The work will be based primarily on popular music and its changes in the 70s and 80s of 20th century in Hungary. The issue will be approached from cultural- historical perspective and its focus will be tension between the official cultural program and the need to respond to the requirements of the recipient at the time. Basic structure consists of the situation in Hungary, which will be compared to the situation in Czechoslovakia, there will be outlined the main common points that have an impact on Central European culture and politics, as well as the specifics of the Hungarian situation. Also the relation to the export of Hungarian popular music abroad will be mentioned.