This thesis uses qualitative research methods to elaborate on Ralph Blizard’s legacy in the old-time music community. The aspects of Blizard’s legacy that were examined include his style of fiddling and the actions he took to preserve traditional Appalachian old-time music. This thesis discusses the old-time music revival in the late 20th Century and Blizard’s role in the revival. This thesis used documentary research, archival research, and personal interviews. Documentary and archival research took place at the Ralph Blizard Museum in Blountville, Tennessee, and the Archives of Appalachia at East Tennessee State University. I conducted personal interviews with Blizard’s musical colleagues and members of his family. This thesis shows that Blizard’s legacy in old-time music is defined the actions he took to help preserve the sound of traditional Appalachian old-time music just as much as it is defined by his style of fiddling.