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In search of a magic flute : the public funding of opera : dilemmas and decision making /Ranan, David, January 1900 (has links)
Diss.Ph. D.--London, 2002. / Bibliogr. p. 341-347.
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Naturalisme, vérisme et réalisme dans l'opéra de 1890 à 1930Kelkel, Manfred, January 1985 (has links)
Th.--Lett.--Paris 4, 1982.
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Die Partitur als Regiebuch : Walter Felsensteins Musiktheater /Homann, Rainer. January 1900 (has links)
Diss.--Osnabrück--Univ. / Bibliogr. p. 169-177.
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Varieties of operatic realism in nineteenth-century France : the case of Gustave Charpentier's Louise (1900) /Laurance, Emily. January 2005 (has links)
Diss.--Philosophie--Chapel Hill--Univ. of North Carolina, 2003. / Bibliogr. p. 369-379.
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Das Ensemble in der Tragédie lyrique des späten Ancien régime /Calella, Michele, January 2000 (has links)
Diss.--Phil.--Münster, 1997--Wilhems-Universität. / Bibliogr. p. 321-345. Index.
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Die melodramatische Szene in der Oper des 19. Jahrhunderts : eine musikdramatische Ausdrucksform /Plank, Christiane. January 1900 (has links)
Diss.--München--Univ., 2003. / Bibliogr. p. 177-184.
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Faust im Musiktheater des zwanzigsten Jahrhunderts /Wissmann, Friederike. January 2003 (has links)
Diss.--Berlin--Freie Univ., 2003. / Bibliogr. p. 255-264.
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Adapted and arranged for the English stage : continental operas transformed for the London theater, 1814-1833 /Fuhrmann, Christina Elizabeth. January 2005 (has links)
Thesis--Musicologie--Saint-Louis (Mo.)--Washington univ., 2001. / Bibliogr. p. 526-542.
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Performing identity : the search for a German opera in Dresden, 1798-1832 /Meyer, Stephen Conrad, January 2005 (has links)
Thesis--Musicologie--New York--State univ. of New York, 1996. / Bibliogr. p. 240-260.
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Dramaturgie de la tragédie en musique : (1673-1764) /Naudeix, Laura, January 2001 (has links)
Th. doct.--Littérature française--Paris 4, 2001. / Bibliogr. p. 621-659. Index.
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