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The historical development of Cantonese opera in the Republican period /Yang, Wai Yin. January 2003 (has links)
Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2003. / Includes bibliographical references (leaves 232-238). Also available in electronic version. Access restricted to campus users.
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A study on the problems of Cantonese operaWong, Jum-sum, James. January 1981 (has links)
Thesis (M.Phil.)--University of Hong Kong, 1982. / Also available in print.
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The evolving role of the director in Xiqu innovationEvans, Anne Megan. January 2003 (has links)
Thesis (Ph. D.)--University of Hawaii at Manoa, 2003. / Includes bibliographical references (leaves 331-342).
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Study of symbolic expressions in Peking Opera's costumes and lyricsLi, Yiman. January 2008 (has links)
Thesis (M.A.)--University of Central Florida, 2008. / Adviser: Kimiko Akita. English text; some Chinese characters. Includes bibliographical references (p. 58-66).
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Staging traditional Chinese opera in the reform era conflicting local identities in modernization /Jessup, Sarah Huntington. January 2001 (has links) (PDF)
Thesis (Ph.D.)--University of Michigan, 2001. / Includes bibliographical references.
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Chaozhou Opera performing centre /Cheng, Kai-mau, Joe. January 1995 (has links)
Thesis (M. Arch.)--University of Hong Kong, 1995. / Includes special report study entitled: Theatre design for Chaozhou Opera. Includes bibliographical references.
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The social organization of a Cantonese opera performance /Leung, Lai-yue, Ciris. January 2001 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 150-159).
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Chaozhou Opera performing centreCheng, Kai-mau, Joe. January 1995 (has links)
Thesis (M.Arch.)--University of Hong Kong, 1995. / Includes special report study entitled : Theatre design for Chaozhou Opera. Includes bibliographical references. Also available in print.
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香港近代粤曲敎學法硏究. / Xianggang jin dai Yue qu jiao xue fa yan jiu.January 1994 (has links)
論文(哲學碩士)--香港中文大學硏究院音樂學部,1994. / 參考文獻: leaves 126-129 / 劉艾文. / 鳴謝 --- p.1 / 引言 --- p.2 / Chapter 第一章 --- 粤曲槪述 / Chapter 1.1 --- 粤曲的歷史 --- p.4 / Chapter 1.2 --- 粤曲的音樂 --- p.11 / Chapter 1.3 --- 粤曲的唱詞體栽形式 --- p.19 / Chapter 第二章 --- 硏究方法 / Chapter 2.1 --- 以往的硏究 --- p.23 / Chapter 2.2 --- 硏究方法 --- p.26 / Chapter 2.3 --- 硏究樣本的挑選 --- p.29 / Chapter 第三章 --- 香港近代的粤曲敎學活動 / Chapter 3.1 --- 十八個粤曲硏習班簡述 --- p.31 / Chapter 3.2 --- 粤曲敎學硏究問卷統計 --- p.70 / Chapter 3.3 --- 問卷統計結果之分析 --- p.73 / Chapter 3.4 --- 三十至八十年代香港粤曲敎學方法 --- p.87 / Chapter 3.5 --- 粤曲敎師敎學心得及課程編排 --- p.90 / Chapter 3.6 --- 粤曲敎學面對的問題 --- p.98 / Chapter 第四章 --- 總結 / Chapter 4.1 --- 粤曲敎學法綜述 --- p.102 / Chapter 4.2 --- 結論 --- p.108 / 附錄 一.本論文所討論之粤曲班地址表 --- p.110 / Chapter 二. --- 粤曲老師個人資料:1.陳徽韓 --- p.111 / Chapter 2. --- 廖漢和 --- p.113 / Chapter 3. --- 黃德正 --- p.114 / Chapter 4. --- 勞韻妍 --- p.115 / Chapter 5. --- 雷桂開 --- p.116 / Chapter 6. --- 葉慧芬 --- p.117 / Chapter 三. --- 用於訪問學生之問卷 --- p.118 / Chapter 四. --- 用於訪問老師之問卷 --- p.122 / 參考資料 --- p.126
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From the sublime to the obscene the performativity of popular religion in Taiwan /Chen, Chiung-Chi. January 2006 (has links)
Thesis (Ph. D.)--UCLA, 2006. / Vita. Includes bibliographical references (leaves 268-298).
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