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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Scenes from imaginary operas

Reed, Russell Mathew 28 August 2008 (has links)
Not available / text
2

Scenes from imaginary operas

Reed, Russell Mathew 09 August 2011 (has links)
Not available / text
3

The blue angel, an opera in English for soloists, mixed chorus, male chorus and orchestra, in one act and five scenes, [Libretto by Virginia Fittz]

Garza, Edward Cameron, 1939- January 1973 (has links)
No description available.
4

THE PARDONER'S TALE: OPERA IN ONE ACT (ORIGINAL COMPOSITION)

Davis, John Stuart, 1935- January 1967 (has links)
No description available.
5

THE BLUE ANGEL: AN OPERA IN ENGLISH FOR SOLOISTS, MIXED CHORUS, MALE CHORUS AND ORCHESTRA, IN ONE ACT AND FIVE SCENES

Garza, Edward Cameron, 1939- January 1973 (has links)
No description available.
6

The message and Jehanne; a tabloid opera; play by Thornton Wilder; music by George Anson

Anson, George January 1937 (has links)
No description available.
7

Tome : a chamber opera in one act

Bolin, Gregory Bryant 28 August 2008 (has links)
Not available / text
8

Tome : a chamber opera in one act

Bolin, Gregory Bryant, 1971- 18 August 2011 (has links)
Not available / text
9

Nunc dimittis : an opera in one act

Massey, Lance A January 2010 (has links)
The text contains an analysis of the composition, libretto, set design, and photographs from the original production. / Digitized by Kansas Correctional Industries / Department: Music.
10

Matador

Patino, Julio 05 1900 (has links)
Matador is an opera scored for orchestra, mixed chorus and soloists (mezzosoprano, 3 tenors, 2 baritones). The work is in one act divided into two main sections. Each of these sections is divided into subsections. The libretto is aphoristic in nature and dictates the form of each of these subsections. The division into two parts also serves as a means to evoke a sense of hopelessness of emotions in the first and a transforming disposition that culminates in a jubilant song in the second.

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