Spelling suggestions: "subject:"operasexcerpts"" "subject:"excerpts""
11 |
A recital / NowBaer, Janet K. Riedel, Jackson, Hanley. Now. January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
|
12 |
Doctoral thesis recital (lecture recital, soprano)Jackson, Bianca 10 April 2014 (has links)
"Little Black slave child" : operatic expressions of Black cultural trauma from William Grant Still's A troubled island and A bayou legend: Introduction -- From Troubled island (1939). Little black slave child ; 'Tis sunset in the garden -- From A bayou legend. In ages past ; Now they will be coming to the tree -- Lecture. / text
|
13 |
Doctoral thesis recital (voice, tenor)Rodriguez, Juan Carlos (Tenor) 14 October 2014 (has links)
Dichterliebe : op. 48 / Robert Schumann -- Paris / Cesar Franck -- Gianni Schicchi. Avete torto! ; Firenze e come un albero fiorito / Giacomo Puccini -- Suite Espanola / Agustin Lara -- On the town. New York, New York / Leonard Bernstein -- The holy city / Michael Maybrick. / text
|
14 |
A master's recital and program notes / Che farò senza EuridiceHeerman, Diane L., Haydn, Joseph, 1732-1809. Songs, violin, continuo acc. Selections. January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
|
15 |
A Recital historical and pedagogical notes / Jauchzet dem Herrn, alle WeltBrunner, Richard D, Telemann, Georg Philipp, 1681-1767. Jauchzet dem Herrn, alle Welt (Cantata) January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
|
16 |
Music as a Woven Narrative to an Absurd Tale in Act One of The MetamorphosisPoovey, Christopher, 1993- 05 1900 (has links)
Act one of The Metamorphosis is based on the novella by Franza Kafka of the same title. In the writing of the act, George Benjamin's Into the Little Hill and Oliver Knussen's Where the Wild Things Are provide a model of using musical material as a storytelling device. Benjamin emphasizes the parallel nature of Crimp's text through the manipulation of similar music between the acts. Knussen uses form and color to emphasize Max's childlike energy and his desire to return home. In act one of The Metamorphosis these approaches are combined to enhance Kafka's absurd narrative through a rapid collage of texture and form that is influenced by both events and characters in the opera.
|
17 |
Guidelines for transcribing coloratura opera arias for tuba, with transcriptions of three arias by Vivaldi, Gluck, and DelibesLynn, Robert January 2005 (has links)
There is no abstract available for this dissertation. / School of Music
|
Page generated in 0.0263 seconds