Display is a four-movement work for twenty-two instrumentalists, five singers, and a prepared tape. As the title implies, the composition is, in fact, a studied display, of numerous compositional and performance procedures, techniques, and effects. The performers must be of virtuoso caliber, and in some cases will need to know special techniques to produce some of the required effects.

The form of the movement is as follows: Slow introduction; forceful theme "A"; lyrical theme "B"; bridge between second theme and development section; development of theme "B"; another bridge developed from a fragment introduced immediately preceding the bridge which is used for a climax before theme "C" is introduced and developed. with the end of the development of theme "C", the development section ends, and thus begins the recapitulation of themes "B" and "A" in that order with little variation in either from that of the exposition. Theme "C", since it played such an integral part in the development section, is not brought back in the recapitulation.

Symphony No. 1 is a three-movement work for orchestra. The movements have the following tempo indications: (I) Allegro ma non troppo, (II) Lento, and (III) Allegro giocoso. The composition is scored for 3 flutes (3rd flute interchangeable with piccolo), 2 oboes, 2 clarinets in B-flat, bass clarinet in B-flat, 2 bassoons, contra-bassoon, 4 horns in F, 3 trumpets in B-flat, 2 tenor trombones, bass trombone, tuba, percussion (timpani, snare drum, and triangle), and the usual complement of strings.

In Symphony No.I, the form of the first movement follows the broad outlines of the sonata. The second movement is in Rondo form, the first section of which has a definite ABA character, the second part has but a single theme extended in treatment, and the third section a recapitulation of the first. The final movement again uses the ABA form.

This composition is a single-movement chamber work and has a total duration of approximately fourteen and one-half minutes. The instrumentation of the piece includes two Eb alto saxophones, two Bb tenor saxophones, two Bb trumpets, tenor trombone, bass trombone, four narrators, piano, double bass, trap set, triangle and chimes. The entire work is organized durationally through the use of eight simultaneous, independent click tracks. This information provides the tempos and is sent to the performers via headphones.

This symphony is a representation of the composer's philosophy of life, which includes a belief in a pre-existent life (Beginnings), a mortal life (Searchings and Wanderings), and a life after death (Return Home). Three out of four of the cyclic elements in the Symphony are symbolic. Theme one represents the influence for good which emanates from a living God; motive one represents the influence for evil, or the Devil; motive two represents the influence of Christ. All three of these influences were present in the pre-existence, they are present in earth life and in the life after death, where good will ultimately triumph over evil. Motive three is found in both first and third movements, but has no symbolic meaning.

DocumentUS is an original orchestra and choral composition by Stanley Garth Gibb, based on events in American history.

Polymetrics is a one-movement work for symphonic wind ensemble, of approximately 8 minutes' duration. The instrumentation includes thirty woodwinds, thirteen brasses, and ten percussionists. The pitch organization is based on two hexachords that encompass all twelve pitch classes.

Hegira is a work for full orchestra making use of piano as well as an augmented percussion section. The title, taken from Mohammed's flight to Mecca in 622 A.D., did suggest certain directions during the compositional process, but it does not imply a specific program for the music. The compositional process employed many techniques, including thematic transformation, serialization, rotation, contrapuntal textures, as well as the intuitive juxtaposition of material.

The composition consists of two movements: Adagio and Moderato. The first movement is mono-thematic, and is divided into three sections. The second movement offers contrast with the first by establishing an immediate tempo, dynamic, and color change.