Este projeto de pesquisa propõe-se a analisar a presença da mídia na obra Partes Humanas, da israelense Orly Castel-Bloom. A escritora traz à luz Israel com um cenário apocalíptico, em que cada ser humano só tem olhos para si e vive, em meio a uma atmosfera de caos, a luta por sua sobrevivência. O pânico diário e a insatisfação crônica são as marcas registradas dos diferentes seres humanos que, por extensão, moldam e são moldados pelo cenário fragmentado, nebuloso e trágico em que vivem no país. Nessa obra pós-sionista, os meios de comunicação assumem um papel primordial, pois não se restringem a ser um reflexo dessa sociedade, mas procuram influenciá-la com o que transmitem. Pobreza, violência, guerra e sofrimento estão presentes nas pautas dos meios de comunicação de forma quase cinematográfica. Assim, a mídia contribui para espetacularizar a vida humana. / This research project aims to examine the role of the media in the book Human Parts, of the Israeli Orly Castel-Bloom. The writer describes Israel in an apocalyptic scenary, in which each person thinks only of themselves. The people live in a chaotic atmosphere, fighting for their survival. The existential panic and the chronic dissatisfaction are present in different characters who, by extension, influence and are influenced by the fragmented, murky and tragic context, in which they live. In this post-Zionist book, the media has a primordial role, not only is it a mirror of the society, but it is also influenced by what is heard and seen in it. Poverty, violence, war, suffering: everything is present in their lives and in the media as if it were in a movie. In this way, the media contributes to sensationalize human life.

Este projeto de pesquisa propõe-se a analisar a presença da mídia na obra Partes Humanas, da israelense Orly Castel-Bloom. A escritora traz à luz Israel com um cenário apocalíptico, em que cada ser humano só tem olhos para si e vive, em meio a uma atmosfera de caos, a luta por sua sobrevivência. O pânico diário e a insatisfação crônica são as marcas registradas dos diferentes seres humanos que, por extensão, moldam e são moldados pelo cenário fragmentado, nebuloso e trágico em que vivem no país. Nessa obra pós-sionista, os meios de comunicação assumem um papel primordial, pois não se restringem a ser um reflexo dessa sociedade, mas procuram influenciá-la com o que transmitem. Pobreza, violência, guerra e sofrimento estão presentes nas pautas dos meios de comunicação de forma quase cinematográfica. Assim, a mídia contribui para espetacularizar a vida humana. / This research project aims to examine the role of the media in the book Human Parts, of the Israeli Orly Castel-Bloom. The writer describes Israel in an apocalyptic scenary, in which each person thinks only of themselves. The people live in a chaotic atmosphere, fighting for their survival. The existential panic and the chronic dissatisfaction are present in different characters who, by extension, influence and are influenced by the fragmented, murky and tragic context, in which they live. In this post-Zionist book, the media has a primordial role, not only is it a mirror of the society, but it is also influenced by what is heard and seen in it. Poverty, violence, war, suffering: everything is present in their lives and in the media as if it were in a movie. In this way, the media contributes to sensationalize human life.

The dissertation "Modern Israeli short story" focuses on the form of the current short prose studied on the work of four of the renowned Israeli contemporary authors. Employing the method of text comparison we try to illustrate the specifics of the modern Israeli short story. The dissertation contains both the theoretical overview as well as analytical material. The authors were selected according to several criteria: two male and two female writers which enables us to determine whether "gender" plays a role - meaning if each author favors heroes of a specific gender or if they focus only on "female" or "male" contents. We also chose two native Israeli writers and two authors of foreign descent that immigrated to Israel which enabled us to study the linguistic angle and to realize whether the writer's background is reflected in his/her work. The analytical parts as well as the amendments contain a number of samples which prove our conclusions.