Thesis (Ph. D.)--University of Pennsylvania, 1917. / "Selected bibliography": p. 7-8.

Zugl.: Wuppertal, Univ., Diss., 2008 u.d.T.: López López Pielow, Fátima: Mito y discurso en Pedro Calderón de la Barca y Ovidio

Königliches Gymnasium, 1875--Gnesen.

The thesis examines the classical motifs in the works of Titian. The author focuses on a closed set of works inspired by classical motifs (i.e. motifs of classical mythology), which were created for the Spanish king Philippe II. The thesis deals with the question of possible literary or material sources which could have been at the painter's disposal or could have served as his inspiration. The set of works is defined by themes chosen from Ovid's Metamorphoses. The question is whether Titian based his compositions on their classical version or on a Renaissance adapted or commented translation, or whether he even inspired himself by other classical authors.

Based on the author's Thesis (Ph. D.--University of Keele), 1993. / Spine title: Seduction and repetition in Ovid's Ars amatoria II. Includes bibliographical references (p. [297]-310) and indexes.

Inaug.-Diss.--Literaturwissenschaft--München, 1968. / Bibliogr. p. 154-164. Index.

Thesis (doctoral)--Universität, Kassel/Universite Sorbonne Nouvelle-Paris III, 2007. / Includes bibliographical references and register.

The first part of this master thesis is focused on the personality of Lorenzo deʼ Medici and his inclusion in the period and cultural contexts. The literary background of Italy in the 15th century is introduced, as well as the Lorenzo's life, the summary of his literary output and his contribution as a patron of the Florentine culture and arts. The second part analyzes four of the Lorenzoʼs works related to mythological themes going back until the ancient writers. Lorenzoʼs evident influence by these authors is illustrated with the specific quotations but at the same time his own innovations in texts and stories are referred to. The conclusion compares an extend of this influence on him and the contribution of his own invention to the particular works. It points out the uniqueness of the personality of Lorenzo deʼ Medici both in the cultural and literary spheres as well.

Originally presented as the author's thesis (Ph. D.)--University of California, Berkeley, 1987. / Includes bibliographical references (p. 238-244).

Thesis (doctoral) - Ludwig-Maximilians-Universität, München, 2002.