Made available in DSpace on 2015-04-14T13:38:33Z (GMT). No. of bitstreams: 1 436726.pdf: 815928 bytes, checksum: 36d58dbf487e7dc6f4d2ba39aa1d94eb (MD5) Previous issue date: 2011-12-27 / The relationship between theater and literature can be studied through intertextuality, more specifically, the "anxiety of influence" of the american critic Harold Bloom. According to this theory of poetry, every reading is a misreading , an interpretation that departs from the text's meaning. Those who are strong readers can create their own meanings in the texts they read. In this view the procedure should be a twist of the literary text. The director must create their own meanings in the staging and free himself from the purely literary aspect of the work. To prove this, was given to three young directors a tale to be staged. The text of Franz Kafka "Those who pass us by running" requires creative force from the reader who should swerve it to be able to bring it on stage. The distance between the different scenes shows how the personal interpretation influences the scenic realization and, despite they are autonomous art forms, there is a threshold between them. / O relacionamento entre teatro e literatura pode ser estudado atrav?s da intertextualidade, mais especificadamente, a ang?stia da influ?ncia do cr?tico norteamericano Harold Bloom. De acordo com esta teoria da poesia, toda leitura ? uma desleitura, uma interpreta??o que desvia-se do sentido do texto. Leitores fortes s?o aqueles que conseguem criar seus pr?prios significados nos textos que leem. Conforme esta vis?o o procedimento teatral deve ser um desvio do texto liter?rio. O encenador deve criar seus pr?prios significados na encena??o e libertar-se do aspecto puramente liter?rio da obra. Para comprovar isso, foi entregue a tr?s jovens diretores um conto para ser encenado. O texto de Franz Kafka Os que passam por n?s correndo exige for?a criativa por parte do leitor que deve desviar-se dele para poder concretiz?-lo no palco. A dist?ncia entre as diferentes encena??es comprova como a interpreta??o pessoal influi na realiza??o c?nica e, apesar de serem artes aut?nomas, h? uma limiaridade entre elas.

Made available in DSpace on 2015-04-14T13:38:33Z (GMT). No. of bitstreams: 1 436730.pdf: 2011222 bytes, checksum: f2f2a7374ca0465d7fd6c855e2d3dc12 (MD5) Previous issue date: 2012-01-09 / The history of the islands of S?o Tome and Pr?ncipe is the colonization of the archipelago, the construction of the nation, and the reformulation of the national project. In each of these stages, different diasporas and stories of resistance to colonial rule and to the authoritarianism in post-independence period were manifested. Literature, especially poetry - object of this thesis - records the representation of a social space, which marks of it show the historicity of the space itself and its inhabitants, revealing the features identities that stand out in the process. This thesis aims to verify that S?o Tom? poetry, in its different ways to express, the diasporas reveal the way of historical and geographical changes, due to the interrelationship between human groups and social spaces. The interaction specifications determines whether the social space should be described as a landscape or as a territory. The poetic corpus selected for analysis belongs to the poets Francisco Jos? Tenreiro, Caetano Costa Alegre, Tom?s Medeiros, Fernando de Macedo; and to the poetesses Alda Esp?rito Santo, Olinda Beja, Concei??o Lima. The theoretical background is found in different areas of knowledge, besides the poetry, the cultural geography, history, anthropology and social sciences. / A hist?ria das ilhas de S?o Tom? e Pr?ncipe ? a da coloniza??o do arquip?lago, a da constru??o da na??o e a da reformula??o do projeto nacional. Em cada uma dessas etapas, manifestam-se diferentes di?sporas e hist?rias de resist?ncia contra o poder colonial e contra o autoritarismo no per?odo p?s-independ?ncia. A literatura, em especial a poesia objeto desta tese registra a representa??o de um espa?o social em cujas marcas se evidenciam a historicidade do pr?prio espa?o e a de seus habitantes, revelando as caracter?sticas das identidades que se destacam no processo. Esta tese objetiva comprovar que na poesia s?o-tomense, ao expressar-se de m?ltiplas maneiras, as di?sporas revelam o percurso das transforma??es hist?ricas e geogr?ficas, decorrentes da inter-rela??o entre os grupos humanos e os espa?os sociais. As especificidades da intera??o determinam se o espa?o social deve ser definido como paisagem ou como territ?rio. O corpus po?tico selecionado para an?lise pertence aos poetas Francisco Jos? Tenreiro, Caetano Costa Alegre, Tom?s Medeiros, Fernando de Macedo; e ?s poetisas Alda Esp?rito Santo, Olinda Beja, Concei??o Lima. A fundamenta??o te?rica encontra-se em diversas ?reas do saber, al?m da pr?pria poesia, geografia cultural, hist?ria, antropologia, ci?ncias sociais.