• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • No language data
  • Tagged with
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.

'A black play can take you there' : the question of embodiment in African American women's drama

Khuzam, Maria 2015 (has links)
This research is concerned with the question of embodiment and body representation in plays written by African American women playwrights during the twentieth century. It starts with the early 1920s and ends around the turn of the twentyfirst century. This project negotiates issues of bodily manifestations and the evolvement of this manifestation from one decade to the next. My research is divided into an introduction, six chapters, and a conclusion; each chapter is concerned with examining bodily representation in a certain era. Chronologically presented, the chapters attempt to answer how embodiment at the beginning and at the close of the twentieth century differs. Although the better-known playwrights Susan-Lori Parks, Adrienne Kennedy and Ntozake Shange and the lesser-known playwrights Alice Childress, Sonia Sanchez (better known as a poet), and Marita Bonner share a concern with what might be called the “raced body,” they also seem to share a certain type of maternal heritage passed from one playwright to another. Therefore, this research contributes to the existing scholarship by, firstly, establishing a literary genealogy between African American women playwrights through their shared interest in the utilisation of the body-in-the-world as a form of resistance. Secondly, I present these playwrights as phenomenologists; through using this political body as a way of experiencing the world and experimenting with it, as a way of being in the world, those playwrights –in both modern and postmodern eras—become interpreters of and experimenters with meaning. Their perpetual commitment to defining the position of African American subject, especially that of African American woman, is entwined with an experimental approach of a black body that lives, registers, interprets, and attempts to re-write the hyphenated body (body-in-the-world).

Page generated in 0.0495 seconds