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GENIUS LOCICorcoran, Cecily 07 March 2012 (has links)
I attempt to capture the simple and fleeting beauty of Washington, DC, before it folds into time. In my representational paintings and monotypes, I want to convey the elegance and serenity of the streets, cars, pedestrians, and the majestic buildings of our nation’s capital. As a native Washingtonian, I’ve always admired the view of the city from across the Potomac River, from sunrise to sunset. I want to share these views and these experiences of my daily life with the viewer.
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THE DEVELOPMENT OF AN IDEAStikas, Marianne 01 January 1974 (has links)
Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing it becomes the experience; so that we are not quite clear why we are engaged in a particular work. And because we are more interested in plastic matters than we are in a matter of words one can begin a picture and carry it through and stop it and do nothing about the title at all.
I believe that this statement by Baziotes has a great deal to do with the way I feel about my painting. Perhaps it is because I cherish the idea that in my painting, and in paintings that I respond to, there is a certain reality which goes beyond words. It is not that I feel painting cannot be talked about, it is that I feel some painting should not be talked about.
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Through a Glass DarklyJanuary 2017 (has links)
acase@tulane.edu / 1 / Kaori Maeyama
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An introduction to painting conservation /Glaser, Greta Colleen. January 2009 (has links)
Thesis (Honors)--College of William and Mary, 2009. / Includes bibliographical references. Also available via the World Wide Web.
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Painting: a study of its classical, romantic and descriptive essencesLindquist, Robert Allen, 1922- January 1952 (has links)
No description available.
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An attempt to paint in a connotative rather than a denotative mannerMcPherson, Margaret Warner, 1926- January 1957 (has links)
No description available.
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An effort to use natural forms in creative paintingPlahl, Friedrich Alfons, 1926- January 1958 (has links)
No description available.
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Painted from memory : the visual representation of personal memories and their coinciding emotionsMoody, Michael Raymond January 2003 (has links)
Memories of the past are a powerful part of human existence. The pastremembered affects who we are as a person as well as the decisions we make in our lives. As we grow older and time passes these memories begin to fade. Specific details about events in the past become fuzzy or are gone all together. We may still remember what occurred and the emotions felt as it happened but exact records of the events begin to be lost. Is it possible to visually represent personal memories and the coinciding emotions in a way that can convey the said emotions to a viewer? How much of the human experience is common? Can a personal experience and emotion be depicted in a way that is universal and shared by all? / Department of Art
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A Many Splendored ThingBush, Stephanie January 2007 (has links)
A Many Splendored Thing is a summation of my artistic production during my masters.
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Die Entwicklung des erzählenden Halbfigurenbildes in der niederländischen Malerei des 15. und 16. JahrhundertsVölker, Brigitte, January 1968 (has links)
Thesis--Göttingen. / Vita. eContent provider-neutral record in process. Description based on print version record.
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