文鳳儀. / 論文 (藝術碩士)--香港中文大學, 1999. / 參考文獻 (leaves [1-3] (3rd group)). / 附中英文摘要. / Wen Fengyi. / Lun wen (yi shu shuo shi)-- Xianggang Zhong wen da xue, 1999. / Can kao wen xian (leaves [1-3] (3rd group)). / Fu Zhong Ying wen zhai yao. / “抽象´ح是非語言所能描述的空間，接近無言。 --- p.1 / """Representation""(呈現）一字的意涵" --- p.5 / 正文 / Chapter 第一章 --- 呈現物本身´ؤ´ؤ抽象繪畫的本質 --- p.6 / Chapter (一) --- 從語意上詮釋“抽象´ح的意義 --- p.6 / Chapter (二) --- 從哲學上詮釋“抽象繪畫´ح --- p.7 / 看，就是這樣！ --- p.7 / 第三眼：觸動的眼睛 --- p.8 / 抽象主義的現實思考 --- p.9 / Chapter 第二章 --- 呈現的過程及狀況 --- p.14 / 從抽象繪畫藝術的歷史演變解讀 --- p.14 / Chapter 第三章 --- 存有與虛無之間 --- p.18 / Chapter (一) --- 虛空´ؤ´ؤ轉變、轉化的隱喻 --- p.20 / Chapter (二) --- 繪畫與工藝間的游移 --- p.23 / Chapter (三) --- 挪用與虛擬間的玩弄性質 --- p.27 / Chapter (四) --- 新科技等中介物的切入 --- p.32 / 結語 --- p.34 / 片斷的總和≠整體 --- p.34 / 新意義的意義 --- p.34 / “之間´ح的契機 --- p.35 / 參考資料 --- p.37 / 圓錄 --- p.1-30

Thesis (M.F.A.)--Rochester Institute of Technology, 1993. / Typescript. Includes bibliographical references (leaf [32]).

Thesis (M.F.A.)--Rochester Institute of Technology, 1992. / Typescript. Includes bibliographical references (leaf 42).

Thesis (Ph. D.)--University of Texas at Austin, 2007. / Vita. Includes bibliographical references.

Thesis (MFA)--Montana State University--Bozeman, 2008. / Typescript. Chairperson, Graduate Committee: Rollin Beamish.

Thesis (M.F.A.)--Rochester Institute of Technology, 1990. / Includes bibliography (leaf 16).

Thesis (M.F.A.)--Rochester Institute of Technology, 1996. / Typescript. Includes bibliographical references (leaf 25).

Thesis (Ph. D.)--University of Sydney, 2006. / Title from title screen (viewed 26 February 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Sydney College of the Arts. Includes bibliographical references. Also issued in print.

The intention of this thesis and this series of paintings was to discover a universal bond between Surrealism and Abstract Art. It examined the origin of creative motivation and observed the similarities between these forms of creative production.For examples and information the writer researched Salvador Deli and Max Ernst of the Surrealistic schools; Wassily Kandinsky and Jackson Pollock represented the Abstract school. Objectification of unconscious processes was expressed through the inner wishes end dreamstates of both the Surrealists and the Abstractionists. A cohesive tie was discovered between image and imageless painting. Through comparison of the artists used as reference and the confirming series of paintings, this thesis was successfully completed.

Thesis (M.F.A.)--West Virginia University, 2007. / Title from document title page. Document formatted into pages; contains iv, 49 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 30).