published_or_final_version / Fine Arts / Doctoral / Doctor of Philosophy

劉健威. / 稿本 / 論文(碩士)--香港中文大學硏究院藝術學部,1992. / 附參考文獻 / Liu Jianwei. / 目錄 --- p.1 / 撮要 --- p.2 / 前言 --- p.3-7 / Chapter 第一章 --- 水墨畫運動的歴史背景 ´ؤ´ؤ香港藝壇與西方現代藝術的初接觸 --- p.1.3-1.13 / Chapter 第二章 --- 水墨畫觀念的完成 --- p.2.1-2.7 / Chapter 第三章 --- 水墨畫運動的完成和主流地位的確立 --- p.3.1-3.12 / Chapter 第四章 --- 由一畫會成立到水墨畫運動的完結 --- p.4.1-4.19 / Chapter 第五章 --- 香港當代水墨畫的一些繪畫模式 --- p.5.1-5.9 / Chapter 第六章 --- 總結 --- p.6.1-6.6 / 參考書目 / Chapter 一、 --- 中文參考書目 / Chapter 甲、 --- 展覽場刊目錄 --- p.7.1-7.4 / Chapter 乙、 --- 一般美術論著 --- p.7.5 / Chapter 二、 --- 英文參考書目 --- p.7.6 / Chapter 三、 --- 報章、期刊文章 --- p.7.7-7.9 / 附圖 --- p.7.10-7.12

廖桂英. / 論文(碩士) -- 香港中文大學硏究院藝術學部, 1996. / 參考文献 : leaves 52-57. / Liao Guiying. / 目錄 --- p.1 / 撮要 --- p.2 / 前言 --- p.3 / Chapter (一） --- 六七十年代香港水墨畫發展的歷史背景及槪況 --- p.4 / Chapter (二） --- 八十年代以後香港水墨畫的發展 --- p.11 / Chapter (三） --- 香港水墨畫的藝術特色 --- p.27 / Chapter (四） --- 香港水墨畫發展的隱憂 --- p.41 / Chapter (五） --- 總結 --- p.49 / 參考書目 / Chapter 一´Ø --- 中文參考書目 --- p.53 / Chapter 甲. --- 畫冊 --- p.53 / Chapter 乙´Ø --- 一般美術論著 --- p.54 / Chapter 二´Ø --- 英文參考書目 --- p.54 / Chapter 三´Ø --- 期刊、報章文章 --- p.55 / 附圖 --- p.58

方鳳婷. / "2009年8月". / "2009 nian 8 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. / Includes bibliographical references (leaves 64-69). / Abstracts in Chinese and English. / Fang Fengting. / 鳴謝 / 論文提要 --- p.i / 圖版目錄 --- p.iv / 引言 --- p.1 / Chapter 第一章 --- 博古畫緣起 --- p.5 / Chapter 一. --- 歷史中的「博古」 --- p.5 / Chapter 二. --- 全形拓技術與拓片入畫的傳統 --- p.8 / Chapter 三. --- 混合槪念´ؤ´ؤ「博古」與「清供」 --- p.11 / Chapter 第二章 --- 鄦叀鼎´ؤ´ؤ個案硏究 --- p.17 / Chapter 一. --- 焦山寺與古鼎 --- p.18 / Chapter 二. --- 全形拓片的其他來源 --- p.23 / Chapter 三. --- 鄦叀鼎的意涵及畫家筆下的鄦叀鼎 --- p.26 / Chapter 第三章 --- 磚甓博古畫 --- p.31 / Chapter 一. --- 以古磚作「清供」 --- p.32 / Chapter 二. --- 磚甓文字的角色 --- p.35 / Chapter 三. --- 改製古物以爲今用 --- p.40 / Chapter 第四章 --- 博古畫的變奏 --- p.44 / Chapter ´ؤ. --- 黃士陵的博古畫 --- p.44 / Chapter 二. --- 以筆墨仿拓片效果 --- p.50 / 結語 --- p.55 / 附錄一鄦叀鼎全形拓片 --- p.60 / 附錄二陶陵鼎全形拓片 --- p.62 / 參考書目 --- p.64 / 圖版 第一章圖版 --- p.70 / 第二章圖版 --- p.82 / 第三章圖版 --- p.99 / 第四章圖版 --- p.112 / 結語圖版 --- p.134

黃佩賢. / 書名原題: 「臥遊」山水與程正揆《江山臥遊圖》 / 論文(碩士) -- 香港中文大學硏究院藝術學部,1995. / 參考文獻: leaves 135-142. / Huang Peixian. / 前言 --- p.1 / 前言 --- p.4 / Chapter 第一章 --- 「臥遊」山水 --- p.10 / Chapter 一. --- 「臥遊」的來源和定義 --- p.11 / Chapter 二. --- 「臥遊」的哲學內涵 --- p.14 / Chapter 三. --- 「臥遊」山水的理論發展 --- p.20 / Chapter 第二章 --- 程正揆的「臥遊」山水 --- p.50 / Chapter 一. --- 程正揆的生平 --- p.51 / Chapter 二. --- 程正揆的「臥遊」思想 --- p.62 / Chapter 第三章 --- 程正揆的《江山臥遊圖卷》 --- p.71 / Chapter 一. --- 「欲作《臥遊圖》五百卷」的願望 --- p.72 / Chapter 二. --- 《江山臥遊圖》的創作動機 --- p.79 / Chapter 三. --- 《江山臥遊圖》的次第問題 --- p.85 / Chapter 四. --- 《江山臥遊圖》的風格面貌 --- p.91 / 餘論 --- p.113 / 附錄一 程正揆生平年表 --- p.120 / 附錄二 程正揆《江山臥遊圖》傳世簡表 --- p.128 / 參考書目 --- p.134 / 圖版目錄 --- p.143

李志綱. / 論文(哲學博士)--香港中文大學, 2004. / 參考文獻 (p. 95-102). / 中英文摘要. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Li Zhigang. / Zhong Ying wen zhai yao. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2004. / Can kao wen xian (p. 95-102).

This thesis looks into the development of Songjiang School in the context of mutual interaction and networking among painters. It focuses on two phenomena. Firstly, it studies the interaction between Songjiang School painters and artists from various Jiangnan art centres. Secondly, it explores the artistic genealogy within the Songjiang School. It investigates the activities of individual Songjian School painters in particular, and the rise and decline of the entire Songjiang School in general. / Under the famous master literati Dong Qichang, Songjiang School painters broke new path in landscape painting, valuing moist ink tones at the expense of brush and ink. But even before Dong, Gu Zhenyi and Mo Shilong were already well known for their efforts in exploring new styles. Supported by brilliant art talent such as Chen Jiru, Zhao Zuo and Shen Shicong, Dong Qichang brought the Songjiang School to its zenith. However, it was also Dong Qichang who dug the grave for the School. As Dong's followers were mostly professional painters, they could not stand as equals to Literati connoisseurs. Some became Dong Qichang's ghost-painters at the expense of their artistic individuality, whereas others were trapped in the lower end of the art market. Consequently, the Songjiang School lost its vigor and prestige in the Qing dynasty. Only Dong Qichang, the leading master of the School, could dominate the literati painting scene. / With its economy revived after the suppression of the wako invasion in late Jiajing period (1522-1566), Songjiang quickly reassumed its dominant position in the art scene. Songjiang School painters became very self-conscious and proud of their own hometown. They succeeded in networking with connoisseurs in Zhejiang and Huizhou, and learning valuable lessons from the works of their Suzhou counterparts. Consequently, although both the Wu (Suzhou) and Songjiang Schools were descendents of the same literati painting tradition, the Songjiang School loomed large throughout the sixteenth and seventeenth centuries. The social prestige of some Songjiang literati certainly enhanced the success of the School. / 徐麗莎. / 呈交日期: 2005年8月. / 論文(哲學博士)--香港中文大學, 2005. / 參考文獻(p. i-x (2nd group)). / Cheng jiao ri qi: 2005 nian 8 yue. / Advisers: Jao Tsung-i; Harold Mok Kar-leung. / Source: Dissertation Abstracts International, Volume: 67-07, Section: A, page: 2355. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / School code: 1307. / Lun wen (zhe xue bo shi)--Xianggang Zhong wen da xue, 2005. / Can kao wen xian (p. i-x (2nd group)). / Xu Lisha.