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Yeung, Yu Ling. / Thesis (M.F.A.)--Chinese University of Hong Kong, 2007. / Includes bibliographical references (leaves 66-68). / Abstracts in English and Chinese. / "Abstract,撮要" --- p.4 / Introduction --- p.6 / Traditional Definition of Signature Painting --- p.12 / Problems with Traditional Definition of Signature Painting --- p.15 / Redefinition of Signature Painting --- p.18 / Reasons for Redefinition of Signature Painting --- p.20 / Chapter (1) --- Change of Society --- p.21 / Chapter (2) --- Change of Ideology --- p.22 / Chapter (3) --- Conclusion to This Section --- p.26 / Challenges on Redefinition of Signature Painting --- p.27 / General Conclusion --- p.32 / Appendix / Relation between My Artworks and Redefinition of Signature Painting --- p.34 / Graduation work - Magazine Series / Chapter (1) --- Breif Description --- p.38 / Chapter (2) --- Ideas behind Magazine Series / Chapter ■ --- Mass Arts and Fine Arts --- p.41 / Chapter ■ --- Fashion and Art --- p.44 / Chapter ■ --- Fashion and Identity --- p.49 / Chapter ■ --- Fashion and Gender --- p.54 / Chapter (3) --- Artistic Technique on Magazine Series --- p.59 / Reference --- p.66

The relationship with nature through art has been explored as a two fold bond. The first considers a relationship with nature via art and science, where the history and contemporary application of scientific illustration in art is explored; while the second explores past and present connections with nature via art and the landscape, particularly the panoramic tradition. Historically these relationships have predominately been about dominating nature, mans dominion over the land. Science was seen as the only authority, while our relationships with the land in art, positioned the viewer at a commanding distance above and over the land, as seen in the post colonial panoramic tradition. In contrast, -The Coorong Series- explores a lived history with nature rather than the historical role of dominance. -The Coorong Series" explores a relationship of knowledge, understanding, and the experience of nature; through two parts. The first combines art and science in -The Coorong Specimen Series', to explore the facts and knowledge that science has provided about certain plants, birds and marine life from the Coorong. Inspiration has been derived from 19thC scientific illustrations and the lyrical prints of the Coorong by Australian Artist John Olsen. Part two explores the immersive experience of the iconic landscape in ???The Coorong Landscape Series" providing a relationship that seeks to understand the functionality of the location and to celebrate the unique beauty of this diverse region. Inspiration has been gained from the landscapes by l8th and 19th C artists John Constable and Claude Monet, along with landscapes by contemporary artists, John Walker and Mandy Martin. Through aesthetic notions such as scientific illustration, panoramic landscape, immersive scale, the collection of work, an expressionistic use of paint, and labeling of each piece like a museum display. -The Coorong landscape series" provides an exploration of a region that immerses the viewer in an experience of the location. The series portrays a relationship with nature through art that educates the viewer about The Coorong region. Connections are made between the land, birds, plants, fish, and human interaction; which results in an ecological consideration of the Coorong. Ultimately it is the educational experience that art provides allowing the viewer to explore a plethora of relationships within nature, and to explore how these relationships have changed or continue to exist within this era.