Spelling suggestions: "subject:"paintings"" "subject:"aintings""
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Formal connoisseurship and the characterisation of craquelureBucklow, Spike Laas January 1996 (has links)
No description available.
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Characterisation of cultural materials by measurement of their physicochemical propertiesOdlyha, Marianne January 1998 (has links)
No description available.
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The life and work of John Hoppner (1758-1810)Wilson, John Human January 1992 (has links)
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Rajput painting in MewarTopsfield, Andrew January 1997 (has links)
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'St. Ives' artists and landscapeStephens, Christopher Buckingham January 1996 (has links)
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Lorenzo Lotto 1509-1525Oldfield, D. A. January 1984 (has links)
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The late manner and early classical followers of DourisGuy, J. Robert January 1982 (has links)
No description available.
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Samuel Colman : 1780 - 1845Whidden, M. January 1985 (has links)
No description available.
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Standards for Evaluating Paintings by Children in the Primary GradesJenkins, Frances M. 01 1900 (has links)
Since most adults generally evaluate children's creative expression by adult standards, view it as meaningless, and frequently present children with hackneyed forms of visual "art"--such as stencil patterns, or color books in which the children are encouraged to copy adult drawings--the purpose of this study is to develop legitimate standards which the adult observer may use in judging children's paintings and to explain these standards through analyses of children's paintings selected from Grades I through III.
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Primitive CurrentDixon, Joseph 10 July 2010 (has links)
The ocean is the common theme in my work. There is a calmness that comes over me when I sit on the beach and look off into the distance, over an infinite seascape peppered with gulls and shrimp boats. This is a safe place to be but it always leaves me wondering about what lies beneath the surface of the water, below what I can see and below what I know. Time and time again, I come back to the power and mystery of the ocean and all that it symbolizes. To explore the question what lies below?, I create surface tension in my artwork with exaggerated texture, and I juxtapose images of water with scenes from my life.
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