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Caribbean and African Musical Influences in Classical Chamber Works with Clarinet by Paquito D'RiveraLopez, David Francisco January 2011 (has links)
This study focuses on Paquito D'Rivera's use of musical idioms that originate from Caribbean and African sources. More specifically the compositions discussed in this study are Aires Tropicales for Woodwind Quintet, Wapango for Woodwind Quintet, Danzon for Piano Trio, and Preludio y Merengue for Piano Trio.Included is a brief biography that provides insight into Paquito D'Rivera's early development and musical accomplishments. In order to provide a musical context to better illustrate the origins of some of the influences found in D'Rivera's compositions, a brief history and description of various forms of popular music from the Caribbean are included. Finally, an analysis of the works are integrated with quotes from the transcription of my interview with the composer.
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Latin American Fusion: An Analysis of U.S. and Latin American Musical Styles and their Synthesis Exhibited in "The Cape Cod Files" by Paquito D'RiveraWillsie, Lucas 05 1900 (has links)
This document focuses on background and performance practice of various musical styles encountered in Paquito D'Rivera's The Cape Cod Files. More specifically, the musical styles examined include: boogie-woogie, Argentine milonga, classical and popular Cuban music, American twelve-bar blues, contemporary atonal music, and Cuban danzón. A brief biography of Paquito D'Rivera is included to establish context of the composer's musical background. Each chapter examines one of the four movements and the musical styles found within that movement. A brief history of each musical style is provided to inform appropriate performance practice decisions.
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