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A Comprehensive Biography of Jacques-Jules Bouffil (1783-1868) with a New Performance Edition of His Trio No. 2, Op. 7Steele, Andrea, Steele, Andrea January 2017 (has links)
Jacques-Jules Bouffil was a prominent nineteenth-century French clarinetist and composer. Much of the existing biographical information for Bouffil is in French, it is often in obscure locations, and the sources available often contain discrepancies. This document provides the most comprehensive and accurate biography to date of clarinetist and composer Jacques-Jules Bouffil through examination of his studies at the Paris Conservatoire, as well as his performance career with the Paris Opéra-Comique orchestra, the Reicha Wind Quintet, and other organizations.
The compositional contributions of Bouffil include a number of chamber music pieces, most notably, six trios for three B-flat clarinets, op. 7 nos. 1-3 and op. 8 nos. 1-3. These six trios comprise some of the most substantial works composed for the medium. They deserve to be better known because of their unusual concertant style writing and compositional rigor. This study offers a new performance edition with rehearsal score of Bouffil’s Trio no. 2, op. 7, a work that is not readily available to modern performers.
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The Horn at the Paris Conservatoire and its Morceaux de Concours to 1996Rekward, Susan J. 08 1900 (has links)
A work concerning the history of the Paris Conservatoire and music education in France. Follows the development of the horn and its correlation with the French school of horn playing. Includes biographic information on the horn professors of the Conservatoire through 1997, as well as a comprehensive list of the morceaux de concours for horn, 1795-1996.
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The Flute Professors of the Paris Conservatoire from Devienne to Taffanel, 1795-1908Ahmad, Patricia 08 1900 (has links)
Since its establishment (1795), the Paris Conservatoire has attracted top-ranking flutists who, through their playing, teaching, writings, and attitudes, (toward the Boehm flute, for example), have influenced flutists and composers throughout Europe. Through Paul Taffanel, who founded the Societe d'Instruments a Vent in 1876, standards of woodwind playing reached new heights. When Taffanel's students, Georges Laurent and Georges Barrere, emigrated to the United States, they influenced the style and development of flute-playing in this country. Through Barrere's famous student, William Kincaid, there arose what might be termed the American school. The intent of this paper is to place these flutists in perspective. The professors are discussed chronologically; information on the style, works, students, and influence of each man is included.
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Gustave Vogt: Performer, Educator and ComposerToward an Edition of his works for Oboe and English hornKunz, Stephanie Jane 21 May 2015 (has links)
No description available.
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From Contest to Classic; A Review of Trombone Literature from the Paris ConservatoireMuffitt, Nicole Christine 17 May 2016 (has links)
No description available.
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