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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
61

Apolonios Dyskolos a jeho spis Peri antonymias. Úvodní studie a komentovaný překlad části textu. / Apolonios Dyskolos and his Treatise On pronouns. Introduction and Translation of the Part of Text with Commentary.

Hřibal, Jan January 2012 (has links)
The introductory study presents overall Apollonius Dyscolus, the most significant ancient greek grammarian. It deals with his person, important technical issues of his work, and particularly with his grammar study, focusing on fundamental grammar classifications and thougt structure. The introductory study is accopanied by the translation of a few introductory chapters (GG II,1,1,3.1-17.17) of Apollonius' treatise Περὶ ἀντωνυμίας (Peri antonymias, On Pronouns), and by scholarly commentary to the translation.
62

The Same-Spelling Hapax of the Commedia of Dante

Soules, Terrill S 10 August 2010 (has links)
In the Commedia of Dante, a poem 14,233 lines in length, some 7,500 words occur only once. These are the hapax. Fewer than 2% of these constitute a minute but distinct subset—the hapax for which there are one or more words in the poem whose spelling is identical but whose meaning is different. These are what I call same-spelling hapax. I identify four categories: partof- speech, homograph, locus, and name. Examination of the same-spelling hapax illuminates a poetic strategy continuously in use throughout the poem. This is to use the one-word coinciding of Rhyme’s rhyme number and terzina’s line number. Not only is it highly probable that a samespelling hapax will be a rhyme-word, but it is also probable that it will occupy a rhyme-word’s most significant position—the one place—the single word—where the two intertwined formal entities that shape each canto coincide. Every three lines, their tension-resolving this-word-only union intensifies the reader’s attention and understanding alike.

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