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Argeologiese en tekstuele perspektiewe uit die Ou Nabye Ooste en die Mediterreense wêreld op vroue en vroulike skoonheid in die Hebreeuse BybelZeelie, Hester Sophia Jacoba 02 1900 (has links)
Afrikaans text / Hierdie studie spreek die beperkte en eensydige beriggewing oor vroue en vroulike skoonheid in die Hebreeuse Bybel en ander antieke geskrifte aan, asook die ondergeskikte posisie wat vroue in die patriargale Ou Testamentiese samelewing beklee het. ‘n Argeologiese benadering word gevolg en beskikbare literêre bronne word gebruik. Daar word gelet op die redes waarom ‘n mooi voorkoms vir vroue so belangrik was. Hul posisie ten opsigte van staatkundige, wetlike, godsdienstige, ekonomiese en huishoudelike aangeleenthede en hul lewensverloop word bespreek. Die studie fokus hoofsaaklik op vroue van ou Israel en Egipte – vir ‘n goeie vergelyking. Inligting oor vroue van die ou Nabye Ooste en Mediterreense wêreld word waar van toepassing ook in aanmerking geneem.
Vroue se skoonheidsmiddels, parfuums, juweliersware en kleredrag word bespreek – asook die invloed van vroue se skoonheidspraktyke op die ekonomie en handel van antieke tye. Die slot- hoofstuk maak sekere afleidings en dui enkele onderwerpe vir verdere navorsing aan. / This study addresses the limited and one-sided reporting about women and female beauty in the Hebrew Bible and other ancient literary sources, as well as the subservient position the women experience in the patriarchal Old Testament society. An archaeological approach is followed, although literary sources are also used. Attention is given to women’s position with reference to governmental, legal, religious and domestic issues, their course of life and the reasons why a beautiful and attractive appearance was important. The research focuses mainly on the women of ancient Israel and Egypt – for the purpose of comparison. Information on women of the ancient Near East and Mediterranean world is also taken into account.
Women’s cosmetics, perfumes, jewelry and clothing are discussed – as well as the influence of women’s beauty practices on the economy and trade of ancient times. The final chapter makes certain deductions and some aspects are recommended for further study. / Old Testament & Ancient Near Eastern Studies / M. A. (Biblical Archaeology)
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Argeologiese en tekstuele perspektiewe uit die Ou Nabye Ooste en die Mediterreense wêreld op vroue en vroulike skoonheid in die Hebreeuse BybelZeelie, Hester Sophia Jacoba 02 1900 (has links)
Afrikaans text / Hierdie studie spreek die beperkte en eensydige beriggewing oor vroue en vroulike skoonheid in die Hebreeuse Bybel en ander antieke geskrifte aan, asook die ondergeskikte posisie wat vroue in die patriargale Ou Testamentiese samelewing beklee het. ‘n Argeologiese benadering word gevolg en beskikbare literêre bronne word gebruik. Daar word gelet op die redes waarom ‘n mooi voorkoms vir vroue so belangrik was. Hul posisie ten opsigte van staatkundige, wetlike, godsdienstige, ekonomiese en huishoudelike aangeleenthede en hul lewensverloop word bespreek. Die studie fokus hoofsaaklik op vroue van ou Israel en Egipte – vir ‘n goeie vergelyking. Inligting oor vroue van die ou Nabye Ooste en Mediterreense wêreld word waar van toepassing ook in aanmerking geneem.
Vroue se skoonheidsmiddels, parfuums, juweliersware en kleredrag word bespreek – asook die invloed van vroue se skoonheidspraktyke op die ekonomie en handel van antieke tye. Die slot- hoofstuk maak sekere afleidings en dui enkele onderwerpe vir verdere navorsing aan. / This study addresses the limited and one-sided reporting about women and female beauty in the Hebrew Bible and other ancient literary sources, as well as the subservient position the women experience in the patriarchal Old Testament society. An archaeological approach is followed, although literary sources are also used. Attention is given to women’s position with reference to governmental, legal, religious and domestic issues, their course of life and the reasons why a beautiful and attractive appearance was important. The research focuses mainly on the women of ancient Israel and Egypt – for the purpose of comparison. Information on women of the ancient Near East and Mediterranean world is also taken into account.
Women’s cosmetics, perfumes, jewelry and clothing are discussed – as well as the influence of women’s beauty practices on the economy and trade of ancient times. The final chapter makes certain deductions and some aspects are recommended for further study. / Biblical and Ancient Studies / M. A. (Biblical Archaeology)
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Konsep volksmoeder soos dit in die Afrikaanse drama neerslag vindJacobs, Martha Christina 07 September 2009 (has links)
The central problem in this dissertation entails how the concept volksmoeder (mother of the nation) gradually developed to secure a place in the Afrikaans drama. Chapter 1 determines the hypothesis of this dissertation. Chapter 2 focusses on the volksmoeder characteristics. The conclusion reached in Chapter 2 is that Maria in Langenhoven’s Die vrou van Suid-Afrika (1918) reveals similarities and contrasts with female characters in Dutch plays. Chapter 3 ascertains that characteristics of female personages as mothers of the nation determine their positions in patriarch/volksmoeder relationships in W.A. de Klerk’s Die jaar van die vuur-os (1952). Different types of volksmoeder appear in the above-mentioned farm play and in H.A. Fagan’s Ousus (1934). Chapters 4 and 5 identify how the present day volksmoeder in recent plaasdramas such as Deon Opperman’s Donkerland (1996), André P. Brink’s Die jogger (1997), Ek, Anna van Wyk (1986) and Die koggelaar (1988) by Pieter Fourie, indicate a further development in the concepts patriarch and volksmoeder. In the latter’s Koggelmanderman (2003) the man and woman are removed from the idea of gender. / Die sentrale probleem in die verhandeling behels hoe die konsep
volksmoeder met verloop van tyd in die Afrikaanse drama neerslag gevind
het. Hoofstuk 1 bepaal die hipoteses van die verhandeling. Hoofstuk 2 fokus
op die kenmerke van die volksmoeder. Die gevolgtrekking in hoofstuk 2 is dat
Maria in Langenhoven se Die vrou van Suid-Afrika (1918) ooreenstem en
kontrasteer met Nederlandse vrouefigure. Hoofstuk 3 stel vas dat vrouefigure
se kenmerke as volksmoeders hul posisie binne die
patriarg/volksmoederverhouding in W.A. de Klerk se Die jaar van die vuur-os
(1952) bepaal. Verskillende soorte volksmoeder -verskyn in bogenoemde
plaasdrama en in H.A. Fagan se Ousus (1934). Hoofstukke 4 en 5
identifiseer hoe hedendaagse volksmoeders in nuwe plaasdramas, soos
Deon Opperman se Donkerland (1996), Andre P. Brink se Die jogger (1997),
Ek, Anna van Wyk (1986) en Die koggelaar (1988) van Pieter Fourie, verder
binne die patriarg/volksmoederverhouding ontwikkel. In laasgenoemde se
Koggelmanderman (2003) beweeg die man en vrou weg van die konsepte
patriarg en volksmoeder. / Afrikaans & Theory of Literature / M.A. (Afrikaans)
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Konsep volksmoeder soos dit in die Afrikaanse drama neerslag vindJacobs, Martha Christina 07 September 2009 (has links)
The central problem in this dissertation entails how the concept volksmoeder (mother of the nation) gradually developed to secure a place in the Afrikaans drama. Chapter 1 determines the hypothesis of this dissertation. Chapter 2 focusses on the volksmoeder characteristics. The conclusion reached in Chapter 2 is that Maria in Langenhoven’s Die vrou van Suid-Afrika (1918) reveals similarities and contrasts with female characters in Dutch plays. Chapter 3 ascertains that characteristics of female personages as mothers of the nation determine their positions in patriarch/volksmoeder relationships in W.A. de Klerk’s Die jaar van die vuur-os (1952). Different types of volksmoeder appear in the above-mentioned farm play and in H.A. Fagan’s Ousus (1934). Chapters 4 and 5 identify how the present day volksmoeder in recent plaasdramas such as Deon Opperman’s Donkerland (1996), André P. Brink’s Die jogger (1997), Ek, Anna van Wyk (1986) and Die koggelaar (1988) by Pieter Fourie, indicate a further development in the concepts patriarch and volksmoeder. In the latter’s Koggelmanderman (2003) the man and woman are removed from the idea of gender. / Die sentrale probleem in die verhandeling behels hoe die konsep
volksmoeder met verloop van tyd in die Afrikaanse drama neerslag gevind
het. Hoofstuk 1 bepaal die hipoteses van die verhandeling. Hoofstuk 2 fokus
op die kenmerke van die volksmoeder. Die gevolgtrekking in hoofstuk 2 is dat
Maria in Langenhoven se Die vrou van Suid-Afrika (1918) ooreenstem en
kontrasteer met Nederlandse vrouefigure. Hoofstuk 3 stel vas dat vrouefigure
se kenmerke as volksmoeders hul posisie binne die
patriarg/volksmoederverhouding in W.A. de Klerk se Die jaar van die vuur-os
(1952) bepaal. Verskillende soorte volksmoeder -verskyn in bogenoemde
plaasdrama en in H.A. Fagan se Ousus (1934). Hoofstukke 4 en 5
identifiseer hoe hedendaagse volksmoeders in nuwe plaasdramas, soos
Deon Opperman se Donkerland (1996), Andre P. Brink se Die jogger (1997),
Ek, Anna van Wyk (1986) en Die koggelaar (1988) van Pieter Fourie, verder
binne die patriarg/volksmoederverhouding ontwikkel. In laasgenoemde se
Koggelmanderman (2003) beweeg die man en vrou weg van die konsepte
patriarg en volksmoeder. / Afrikaans and Theory of Literature / M.A. (Afrikaans)
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