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The Easter Rising : Pearse, print, and the modern Irish elegyWard, Thomas Barrett 19 December 2013 (has links)
The 1916 Easter Rising was the watershed political moment of the modern Irish Nation. Padraig Pearse, along with his co-conspirators, initiated an event that dramatically affected the Celtic Revival literary movement. Prior to the rebellion, Pearse left a calculated literary legacy through pamphlets, broadsides, and poems. His most notable contribution to print nationalism was the text of The Easter Proclamation, but the poems he wrote prior to his execution are important contributions to the modern Irish elegiac tradition. Poets took to their work with renewed political fervor and used elegiac forms to mourn the dead and subvert the rhetoric of imperialism. This study focuses on the modern Irish elegy, but also records the creation and reception of Pearse’s documents and actions. Beginning with his political pamphlets, speeches, and poetry, this paper examines how Pearse’s legacy in print impacted the elegiac tradition in Ireland. While it would be impossible to examine every elegy directly influenced by the Easter Rising in this short paper, it is useful to examine disparate elegiac viewpoints on this historical event. Initially tracing the historical production of The Easter Proclamation and Pearse’s series of separatist pamphlets, this exploration shifts to Pearse’s self-elegies and the elegies written by his acquaintances and contemporaries. Yeats is the obvious starting point for Republican elegies, but I will also explore the shifting poetics and elegiac tropes present in the poems of AE (George Russell), and Francis Ledwidge. This paper does not seek to ignore or discredit the print legacy of the other leaders of the Rising (notably Connolly, MacDonagh, and Markiewicz), but focuses on Pearse because of his print legacy and political importance. / text
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Liturgie revoluce: Politická teologie Patricka Pearse mezi katolicismem a modernismem / The Liturgy of Revolution: Political Theory of Patrick Pearse between Catholicism and ModernismRuczaj, Maciej January 2015 (has links)
Dublin Easter Rising of 1916 is widely recognized as an example of an intersection between nationalism and religion due to its use of the Christian symbolism of redemption via sacrifice. The religious aura, surrounding its leader and main ideologue, Patrick Pearse, was both a source of his posthumous "triumph" - the Irish independence shaped to a large extent by his legacy, and his "black legend" of the spiritual father of the sectarian violence in the twentieth century Irish politics. Due to the high degree of politicization of the debate over Pearse's role in Irish history, his intellectual legacy was rarely treated sine ira et studio. After a delineation of the problematic legacy of Pearse in the context of Irish Studies and the general introduction to the theme of the relations between nationalism and religion, this work proceeds to the re-examination of the place of religion in Pearse's thought. Pearse's conceptualization of Irish nationalism should be perceived as a synthesis emerging from the interplay between his deep indebtedness to the religious mind-frame and the Romantic and modernist influences that shaped the atmosphere of the pre-1914 Europe. It is based on a structural analogy between the Church and the nation. The analogy is created by means of a mechanism of the transposition of...
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