Global ETD Search

1	Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea Lynch, Jordan 09 April 2012 (has links) No description available. Music jazz harmony voice leading chick corea chromatic thirds chromatic mediants functional harmony planing line-based progressions pedal points ostinato vamps
2	Expanded tonality in three early piano works of Béla Bartók (1881-1945) Brukman, Jeffrey James 11 1900 (has links) Bart6k's own expanded tonal ("supradiatonic") pronouncements reveal that his music, notwithstanding tonally camouflaging surface details, clearly had a tonal foundation which in many respects is a reaction to the emerging atonalism of Schonberg. Analysis of three piano works (1908 - 1916) reveal that Bart6k's tonal language embraced intuitively the expanded tonal idiom. The harmonic resources Bart6k employed to obscure tonicisation embrace double-degree constructions, quartal formations, chords of addition and omission and other irregular constructions. Diatonic tonal pillars are evident in pedal points, tonic triads and dominant to tonic root movement. Through an application of the Riemann function theory expanded by Hartmann's supposition of fully-chromaticised scales tonal syntax (especially secondphase Strauss cadences or closes) becomes apparent within an expanded tonal product. The analyses conclude that Bart6k's inimitable "sound-world" is a twentieth-century manifestation of traditional tonality's primary tenets. / Musicology / M.Mus. Expanded tonality Fully-chromaticised scales Bitonal process Bitonal product Double-degree chords Strauss cadences Pedal points Key-introductory six-four chord Chord of addition Chord of omission Quartal constructions Chord streaming 786.21258092 Tonality Chords (Music)
3	Expanded tonality in three early piano works of Béla Bartók (1881-1945) Brukman, Jeffrey James 11 1900 (has links) Bart6k's own expanded tonal ("supradiatonic") pronouncements reveal that his music, notwithstanding tonally camouflaging surface details, clearly had a tonal foundation which in many respects is a reaction to the emerging atonalism of Schonberg. Analysis of three piano works (1908 - 1916) reveal that Bart6k's tonal language embraced intuitively the expanded tonal idiom. The harmonic resources Bart6k employed to obscure tonicisation embrace double-degree constructions, quartal formations, chords of addition and omission and other irregular constructions. Diatonic tonal pillars are evident in pedal points, tonic triads and dominant to tonic root movement. Through an application of the Riemann function theory expanded by Hartmann's supposition of fully-chromaticised scales tonal syntax (especially secondphase Strauss cadences or closes) becomes apparent within an expanded tonal product. The analyses conclude that Bart6k's inimitable "sound-world" is a twentieth-century manifestation of traditional tonality's primary tenets. / Musicology / M.Mus. Expanded tonality Fully-chromaticised scales Bitonal process Bitonal product Double-degree chords Strauss cadences Pedal points Key-introductory six-four chord Chord of addition Chord of omission Quartal constructions Chord streaming 786.21258092 Tonality Chords (Music)

1

Page generated in 0.0414 seconds