Rhetoric and Rupture: A Theory of the Event This thesis engages the problematic of agency and interiority in rhetorical studies by proposing a theory of evental rhetoric. The event is a rupture in the continuities of the symbolic, revealing the distance between the forces of symbolization and their phantasmagorical effects. This theory is built upon the works of Friedrich Nietzsche and Jacques Lacan, engaging questions of truth, being, and the relationship of the subject to herself and the world. The rhetorics of legal practice, particularly the per curiam opinions of the United States Supreme Court, I argue, provide the institutional and epistemological formations necessary to transcend the bonds of situated rhetoric and become truly evental. I turn to the Supreme Court decision in New York Times Co. v. United States as an example of such an evental rhetoric. These rhetorics clear the way for the introduction of the new, and found a conversation in which democracy can begin.

The diploma thesis The depiction of the Watergate scandal in the movies: Comparison of feature films and documentaries focuses on portrayal of journalists and the Watergate scandal on film. It illustrates this on examples of specific feature films and documentaries, which have been made about this topic. These particular movies are All the President's Men (1976), Frost/Nixon (2008), Watergate (2018), Our Nixon (2013) a Nixon by Nixon: In His Own Words (2014). In the first part of the thesis summarises the general history of the portrayal of journalists and media on film. It also contains the introduction of the key players in the Watergate scandal, which are Richard Nixon, Bob Woodward and Carl Bernstein. Furthermore, this part also describes the history of the newspaper The Washington Post and the Watergate scandal itself. The next part focuses on defining the basic terms used in the thesis, such as for example feature film, documentary, investigative journalist etc. The third and the last part, then concentrates on comparing and analysing the six aforementioned chosen films with the help of comparative method, which should lead to the final results. The primary question, in which this thesis focuses, is how (and if) the portrayal of the Watergate scandal differentiates in feature films and...