• Refine Query
  • Source
  • Publication year
  • to
  • Language
  • 4
  • 1
  • Tagged with
  • 5
  • 5
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 2
  • 1
  • 1
  • 1
  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Cultural performance in China beyond resistance in the 1990s /

Noble, Jonathan Scott, January 2003 (has links)
Thesis (Ph. D.)--Ohio State University, 2003. / Title from first page of PDF file. Document formatted into pages; contains x, 253 p. Includes bibliographical references (p. 235-253). Available online via OhioLINK's ETD Center
2

Performing the Singapore state 1988-1995

Langenbach, William Ray. January 2003 (has links)
Thesis (Ph.D.) -- University of Western Sydney, 2003. / Includes bibliography.
3

Performing identities : Chicana and Mexicana performance art in the 90s /

Gutiérrez, Laura G. January 2000 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 2000. / Includes bibliographical references (leaves 268-284). Also available on the Internet.
4

Performing identities Chicana and Mexicana performance art in the 90s /

Gutiérrez, Laura G. January 2000 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 2000. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 268-284).
5

Archivy a dokumentace performance art: hledání cesty mezi historií a mýtem. / Archives and documentation of performance art: at the intersection between history and myth.

Písaříková, Jana January 2016 (has links)
The PhD thesis deals with the role of archives in the contemporary artistic and curatorial practice, with an emphasis on the performance art. It also analyses the creation process, methodology and the contents of selected personal and institutional archives in both Czech and international contexts. The objective of the paper is to answer the following questions: In what way is the documentation and subsequent archiving of process-oriented forms of art performed? How is the history of the contemporary art formed and interpreted through these archives and with the help of the artistic and curatorial practice? To what extent are we able to reconstruct the history from records and performance documents that are only fragmented, thus making a reference to a real action? Do the archives leave some room for misinterpretation, creating a myth or personality cult through its system of classification of knowledge? How indeed is the performance art related to its own history; how is this history perceived by the performer alone; and how is it approached by the professional audience? The paper will also include the analysis of current state and possible solutions to the operation of the archive of the Faculty of Fine Arts, which is related to opening a dialogue among artists, theorists and institutions that might be interested in better accessibility of such an archive.

Page generated in 0.1578 seconds