In 1988, through the book of¡mThe Time of Music¡nJonathan D. Kramer (1942 - 2004) provided various point of view to understand the description analysis of the¡§Time Experience¡¨of music : by way of using the methods of¡§waiting¡¨and¡§explain¡¨in both linear and nonlinear in the description analysis of¡§Time Experience¡¨, the situation of ¡§personal time experience¡¨can be emphasized; via¡§musical performance interface¡¨, the subconscious communication interface can be stirred; under the process of interaction experience the multiperspective image can be presented and the difference with the traditional analysis and description analysis in the time experience with listening experience situation can be compared. To analysis and integrates the methods of description analysis in¡§Time Experience¡¨from Kramer' s ¡mThe Time of Music¡n is the aim of this thesis. Through¡§personal time experience¡¨ in ¡§musical performance interface¡¨, there are three categories can be discussed such as : 1) a number of the descriptions about¡§musical performance interface¡¨; 2) the concepts of¡§personal time experience¡¨in music via different auras in terms of musical performance interfaces¡F3) the points are strongly related to the perspective of¡§personal time experience¡¨in music and being the matrix of Music.