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Structure of cinematic thought American political films 1968-1971 /Tuchman, Mitchell A. January 1900 (has links)
Thesis--Yale University. / Includes bibliographical references (leaves 238-251).
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Cinema and society in France and Germany 1919-1929Monaco, Paul. January 1900 (has links)
Thesis (Ph. D.)--Brandeis University, 1974. / Includes bibliographical references (leaves 463-485).
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Contemporary Chinese cinema fifth generation films, urban films, and sixth generation films /Nie, Jing. January 2003 (has links)
Thesis (M.A.)--Ohio University, June, 2003. / Title from PDF t.p. Includes bibliographical references (leaves 95-98)
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民間文字繪畫(文字圖)的再弘揚. / Min jian wen zi hui hua (wen zi tu) de zai hong yang.January 1997 (has links)
延基枰. / 論文(藝朮碩士) -- 香港中文大學硏究院藝朮學部, 1997. / 參考文獻: leaves 35-37. / Yan Jiping. / 前言 --- p.1 / Chapter 第一章. --- 人類交往行爲的符號形式 --- p.2 / Chapter A. --- 交往行爲的幾重形式 / Chapter (1). --- 交往和符號 / Chapter (2). --- 語言與符號 / Chapter (3). --- 語言符號與非語言符號 / Chapter B. --- 繪畫與文字符號 --- p.3 / Chapter a). --- 圖形文字(pictogram) / Chapter (i) --- 楔形文字(cuneiform); / Chapter (ii) --- 象形文字(hieroglyphe) / Chapter b). --- 樣式化的繪畫符號(stylized picture signs) / Chapter c). --- 拼圖文字(Caligramme)/(文章畫 text pictures) / Chapter 第二章. --- 中國的文字繪畫 --- p.6 / Chapter (1) --- 構成形式 / Chapter a) --- 中國的文字繪畫 / Chapter b) --- 韓國與日本的文字繪畫 / Chapter (2) --- 造型手段 --- p.9 / Chapter (3) --- 造型的結構方法 --- p.9 / Chapter 第三章. --- 文字繪畫的意識形態 --- p.12 / Chapter A. --- 語言和神話 / Chapter B. --- 文字繪畫的民間神話色彩 / Chapter 第四章. --- 從符號學的觀點作的初步審理 --- p.13 / Chapter A) --- 現代符號學的所指和能指 --- p.13 / Chapter B) --- 符號學與文字繪畫 --- p.14 / Chapter 1) --- 文字繪畫的所指和能指 / Chapter 2) --- 文字繪畫的修辭(法) / Chapter i). --- 隱喻與借喻、借代、擬人化 / Chapter ii). --- 其他藝術的修辭與文字繪畫修辭的比較--平行與交叉轉移 / Chapter 第五章. --- 傳統文字同義反複與文字繪畫的二重性 --- p.17 / Chapter 第六章. --- 文字繪畫的社會性 --- p.19 / Chapter A. --- 中國傳統思想與文字繪畫風格的發展過程的比較試析 / Chapter 1) --- 名實相符與弔詭(paradox): i)正名論ii)名家iii)齊物論 --- p.19 / Chapter 2) --- 中國與韓國文字繪畫選材的比較 --- p.22 / Chapter B. --- 現代社會的符號應用的變異 --- p.24 / Chapter 1) --- 槪覽與文字繪畫相近的現代藝術例舉 --- p.24 / Chapter 2) --- 傳統與現代文字繪畫的比較 --- p.24 / Chapter i) --- 技法上:引用與拼貼(montage/collage) 象徵與諷喻(allegory) / Chapter ii) --- 風格上:民間性與俗媚(kitsch) / Chapter 3) --- 文字繪畫演化背後的社會性演變試闡 --- p.26 / Chapter (1) --- 能指和所指的同一 / Chapter (2) --- 能指與所指的分離 / Chapter (3) --- 主體與客體的分裂 / Chapter (4) --- 時空感的喪失一歷史意識和距離感的消失 / Chapter (5) --- 摹擬再現 / 結論 --- p.28 / 中英韓文參考書目 --- p.35 / 附圖 --- p.38 / 圖片來源 --- p.50
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Teaching film as a space of interpretative interactionYung, Yuk-yu. January 1998 (has links)
Thesis (Ph. D.)--University of Hong Kong, 1999. / Also available in print.
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Images of the city-nation Singapore cinema in the 1990s /Siddique, Sophia Miriam. January 2001 (has links) (PDF)
Thesis (Ph. D.)--University of Southern California, 2001. / Adviser: Marsha Kinder. Includes bibliographical references.
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Something to declare : trading culture, trafficking Hollywood and textual travel /Govil, Nitin. January 1900 (has links)
Thesis (Ph. D.)--New York University, Graduate School of Arts and Science, 2005. / Typescript. Includes bibliographical references (leaves 494-554). Also available in electronic format on the World Wide Web. Access restricted to users affiliated with the licensed institutions.
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The feasibility of implementing industry self-regulation of film censorship in Hong KongSo, Mei-fong. January 2006 (has links)
Thesis (M. P. A.)--University of Hong Kong, 2006. / Title proper from title frame. Also available in printed format.
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China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /Pang, Lai Kwan. January 1997 (has links) (PDF)
Thesis (Ph.D.)--Washington University, 1997. / Chairperson: Robert Hegel. Includes bibliographical references.
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A cultural critique of Turkish cinema in relation to "Arabesk"Yalvac, Ahsen. January 2001 (has links)
Thesis (M. Phil.)--University of Hong Kong, 2001. / Includes bibliographical references (leaves 212-220).
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